2. 'Good People,' Steppenwolf Theatre Company
|
|
|
( December 13, 2012 ) When I saw the Broadway production of David Lindsay-Abaire's drama about class and relationships in working-class Boston, it immediately seemed like a natural fit for Steppenwolf. But this superb production, a calling card for the mostly untapped directing talents of K. Todd Freeman, not only fit the work, it enhanced the piece greatly and allowed Mariann Mayberry, a performer who has given a good portion of her gut and soul to Chicago theater, a chance to reveal all of which she is now capable. |
E-mail
Twitter
Facebook
StumbleUpon
Comments are filtered for language and registration is required. The Times makes no guarantee of comments' factual accuracy. Readers may report inappropriate comments by clicking the Report Abuse link next to a comment. Here are the full legal terms you agree to by using this comment form.
Currently there are no comments. Be the first to comment!