You certainly could not accuse Kyle DeSantis, the producer of the Drury Lane Oakbrook's huge new production of
Industrial-strength spigots spurt. Water gushes. And Tony Yazbeck, the genial eleventh-hour star of this show, smiles and dances in the rain. It is all about that subtle and that surprising.
By the recent, formidable standards of the Drury Lane, this clunky, conventional and underpaced "Singin' in the Rain" has to count as a disappointment, even though the crowd Friday night seemed to enjoy itself. In fairness, it should also be noted that Jenkins' production was inevitably stymied by the loss of its initial lead actor, Sean Palmer, who was injured during the preview period (hence the delayed opening, allowing the eager Yazbeck time to quickly get here from New York and find his galoshes). As fans of the movie well know, this piece requires very particular three-way chemistry among the trio playing the roles originated on-screen by Kelly,
"Singin' in the Rain" is a difficult piece and not because it has to rain. For starters, the musical is far too slavish to the movie. This is a story set during the coming of talkies and, as such, it involves a lot of faux-period movies that play out on an onstage screen. In one of the many clips, the use of Reynolds herself (a frequent performer at this theater) deserves the laughs it gets and pleasures it provides. But the rest of these energy-sucking movies are slow, and not remotely credible as actual period flicks.
When it comes to what we see live, the start of this show is especially tricky — instead of a bona fide opening number, we get a protracted sequence at a Hollywood premiere that involves moving clumps of characters around the stage and spitting out all manner of exposition. The best productions of "Singin' in the Rain" find the right theatrical metaphor to make all this work — directors attempting this show really have to continue the work that was not done right in 1983. This one just doesn't have that metaphor. It does have a lot of sliding scenery, yet nothing in front of Kevin Depinet's set ever seems to glide in comfort.
And thus one of the most crucial qualities of this particular piece — sheer smoothness — remains elusive.
When: Through Jan. 13
Where: 100 Drury Lane, Oakbrook
Running time: 2 hours, 30 minutes