About a decade ago, Cody ChesnuTT surprised and thrilled music lovers with "The Headphone Masterpiece," an ambitious, low-fi album that reminded listeners of the psychedelic soul classics of the 1970s.
Some considered it an over-hyped oddity. Others were swept away by its eccentric charm.
In October, ChesnuTT is set to release his long-awaited follow, "Landing On A Hundred." He's launching a Kickstarter campaign to help him self-release the disc.
ChesnuTT is also sharing an intimate look at his recording of the track "Everybody's Brother," on the OkayPlayer site.
Get the track here:
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Here's ChesnuTT's official bio:
Universally hailed as a thrilling new figure in music for his edgy, lo-fi debut, The Headphone Masterpiece, back in 2002, Cody ChesnuTT is a soul troubadour whose frank, socially conscious ruminations on life continue to challenge popular notions of what modern soul music can look and sound like: a raw storyteller for the people wearing a guitar and a toothpick-chewing smirk; a wide-eyed, intense soul brother in a crazy-fly get-up singing about bedraggled love in the land of Lost Angeles - he’s all of that, but wiser now while still wearing poetic license on his skin like a battle scar. The Atlanta native has always stood his own creative ground ever since he first holed himself up in his bedroom to record The Headphone Masterpiece, armed with his DIY musical arsenal: a drum machine, an array of instruments, a dusty four-track cassette recorder and a giant pair of headphones to block out the world. The result was an unvarnished collection of songs – 36 in total, which alchemized his love of a multitude of styles: classic rock, rhythm and blues, pop, punk and gospel music.
A decade earlier, Cody explored the Atlanta’s early ‘90s R&B scene as a singer, and then toiled in his LA-based band, The Crosswalk. His time spent alone exploring raw new sounds in his bedroom finally paid off in 2002 with the release of The Headphone Masterpiece. Industry tastemakers like music writer dream hampton (and The Roots drummer and
Landing On A Hundred, Cody’s second full-length LP, marks his return to the music game after a period of family-man retreat and reflection that did a world of good for him after his meteoric rise to near fame. The title is a reference to the slang saying, “Keeping It One Hundred,” or telling the whole truth, and for lovers of true blue Southern soul this new album is a must-have — he recorded it with a ten-piece band in Memphis-based Royal Studios, the sonic birthplace of some of the deepest works by soul and blues luminaries like
Topics on Landing On A Hundred cover lots of grown-folks business: a man’s road to redemption after years of womanizing and crack addiction, the power and labor of slow-burning marital love that eclipses mere material expressions of affection. Keeping it truthful is ultimately what matters most in Cody’s songs: how it reveals itself in your darkest thoughts, how it can heal old wounds with a handclap and a foot stomp. Truthfulness emanates from Cody’s vocal chords and the strings of his guitar while his , strong, sensitive voice continues to command listeners with its riveting sound, leading them to their own higher ground.