Jason Winer comes to feature films from TV's "Modern Family." But he always dreamed that someday he'd make movies. These are three of the filmmakers who helped shape his approach to directing:
"From an early age, I was oddly into Woody Allen — like, when I was 7 years old. From a very early age, I enjoyed watching
I watched it again in preparation for
because it was another iconic
movie. I was watching it and wondering, 'What did I possibly love about it when I was 8 years old?' For the life of me, I'm not sure what connected with me back then. But it did."
"I'll tell you what's frankly out of the Judd Apatow mold: In the old days, they didn't keep the writer involved during the making of the film. But to me, it's crucial that our writer be present — that also comes out of my experience in television, a writer-driven medium. On 'Arthur,' the writer, Peter Baynham, sat in on all the rehearsals, and as we heard the words out loud with our cast for the first time, we made more changes and incorporated them into the script. We would keep a binder of all the "alts" and different ideas that had come up throughout rehearsal. You can call this way of working 'improvisational,' but it's improvisational as a result of a long process of writing and improvisation."
"I was so proud that for one of the billboards, the studio picked that image of Arthur and Hobson walking amidst the crowd, because that was my homage to Sydney Pollack and 'Tootsie.' That movie, tonally, was such a specific influence for me, in some ways more than the original 'Arthur' was. I was happy to give it a nod with that image. Sydney Pollack is one of my heroes, and he's a guy who crossed genres throughout his career. He made 'Tootsie' and he also made 'The Firm.' I'm eager not to do a straight-up
next. I'm looking for additional dramatic or action components, or a thriller with comedic components. I'm hoping to stretch, genre-wise, and bounce back and forth between movies and TV for a very long while."