The 24-foot-long screaming yellow Robert Grosvenor sculpture -- like a shaft of sunlight made solid -- leads a fine show about the L.A. gallery that became a bicoastal piece of art history.
The Times' art critic talks with museum Director Michael Govan about his ambitious and risky strategy that could dramatically alter how museums display their art.
Cate Blanchett is a subject in Julian Rosefeldt's film, "Manifesto."
Barely a single living soul is glimpsed in 48 black-and-white urban photographs from the late 1970s and early 1980s by Berlin-based Ulrich Wüst. When people are there, they’re typically obscured behind the windshield of a car on an otherwise empty city street, hidden within a dark sidewalk shadow...
L.A.'s newest showcase for contemporary art opens with Jim Shaw’s epic, outlandish installation, “The Wig Museum.” That show is a winner, the Marciano collection more iffy.
No man (or woman) is an island in Zadok Ben-David's sculpture — more than 3,000 miniature figures cut from thin metal sheets.
Bruce Yonemoto's video installation links 1960s Happenings with today's "fake news."
Jessie Homer French's naive style results in sophisticated paintings at Various Small Fires.