Probably no one better than Jim Eninger, a retired TRW aerospace engineer who culls all sorts of sources to keep people up to date about small local chamber music events that he thinks are insufficiently publicized. In his Eninger lists concerts, locations, times, ticket prices and site links and often adds remarks about artists who might not be household names. Currently, about 3,700 people receive the e-letter. (To sign up, send an e-mail to jeninger @yahoo.com.)
FOR THE RECORD:
Jim Eninger: In today's Calendar Arts & Music section, a photograph of a conductor and a violinist is mistakenly placed with an article about chamber music enthusiast Jim Eninger. The portrait of Eninger by Times photographer Rick Loomis that should have run in its place is at right. —
"Jim is an indispensable figure to the classical music scene in Los Angeles," says award-winning L.A. pianist Robert Thies. "He is amazingly thorough in the way he compiles all the many details for the concerts, writes gracious introductions for visiting musicians and ensembles and even markets musicians' websites. He does this without charge to anyone, so he obviously does it from his heart."
Says L.A. pianist and conductor Neal Stulberg: "Jim is one of the people Los Angeles is named for. Without him, there would be no comprehensive source of information about concert events in our area."
"I write the newsletter because I really want to energize the cultural scene," says Eninger, 63, a native Angeleno who lives in Torrance. "People love to go to these concerts. So I've got quite a loyal following."
Eninger's first issue came out in 1999. This week's is No. 364.
The impetus, he says, was an article written in 1999 by the late Times music writer Daniel Cariaga titled "Listen Close: An Aficionado's Guide to the Intimate, Small-Venue Art Form of Chamber Music."
"Danny picked out seven series that were his favorites and talked about what he looked for," Eninger says. (For a list of Eninger's favorites, see accompanying article.) "That was the spark that made me think of doing this newsletter. It opened up a world for me. I pay homage to the article by beginning every newsletter with 'Greetings, Music Aficionados.' "
After nearly a decade, he adds, "Of Danny's picks, not a single one has folded, and major new series have emerged. The music scene is definitely growing, and the quality of the presentations is better."
Although not born into a musical family, Eninger enjoyed classical music as a child and occasionally took off for an opera or a concert in the Bay Area while studying engineering at Stanford. But it was his move to the South Bay in 1971 that prompted his current devotion.
"I met some people at TRW who were involved with the South Bay Chamber Music Society, and my wife, Mary, and I started to go to the concerts there," he says. "I ended up on its board of directors. For a while, I was its president. For a long time, I was the treasurer."
Eventually, because he was familiar with computers, he began sending out e-mail announcements and the programs of upcoming society concerts.
"That absolutely energized the series," he says. "We overflowed our Harbor College venue. So we went to two concerts a weekend, which is the current format -- at Harbor College and then at Pacific Unitarian Church in Palos Verdes."
After he left the organization in the late '90s, Eninger read Cariaga's article and decided to use the list he had developed to keep people current about other events.
"The first newsletters were called 'Chamber Music for the South Bay,' " he says. "But as I found out more and more about what was going on in town, I expanded it. Now it's called the 'Chamber Music Letter From the South Bay,' and it covers all of Los Angeles and Orange County."
Eninger says he has a database of more than 530 websites to draw from. Every week, he and a group of volunteers (P.S., he's looking for a few more helpers) check out about 160 of the most active sites to see what concerts are coming up. It takes 20 to 30 hours a week to pull it all together.