It was supposed to be a night when political and social issues took center stage and the music industry fully embraced hip-hop. But when the 60th Grammy Awards were given out Sunday at Madison Square Garden in New York, it was a different tune.
The Recording Academy gave three of its top trophies — album, record and song of the year — to R&B/pop star Bruno Mars' "24K Magic" album and hit single "That's What I Like," an escapist ode to sex by the fire, international travel and other stereotypical "finer things in life" such as Cadillacs, strawberry Champagne, cool jewelry and silk sheets. In all, Mars took home six Grammys.
That left the year's most nominated artists — rappers Jay-Z and Kendrick Lamar — and hip-hop once again shut out of recognition in the Grammys' most prestigious categories.
For the 60th Grammy Awards on Sunday, it seemed only fitting that someone would wear something by a designer who’s outfitted some of the most iconic musicians of all time. Elvis Presley, Dolly Parton, Cher and Elton John have each worn an elaborately rhinestone-studded suit by Nudie Cohn, the iconic country-music clothier who began operating out of a North Hollywood shop in the early 1950s. Now Kesha can add herself to the late tailor’s client list.
When we hear “never forget” these days — or, more accurately, see the hashtag — it’s usually in reference to a horrific tragedy. But on Sunday night during the Grammy Awards, fans used it in reference to Jennifer Lopez’s iconic Versace dress from 2000. It was the dress heard ’round the world, shocking for its sheerness and plunging neckline that revealed not just cleavage but the singer’s belly button and slit-up-to-there silhouette. But actually the tropical-print gown — styled by Andrea Lieberman who went on to found the Los Angeles-based ready-to-wear line ALC in 2009 — inspired more than 18 years of revealing Grammys fashion that has followed in its wake.
Here are seven things you should know about the J.Lo/Versace dress.
Backstage at the Grammys on Sunday, the show’s producers were pressed about the lack of Lorde during the telecast.
As one of the five nominees for album of the year – and the only woman to land in the category – her absence from the stage as a performer didn’t go unnoticed.
In fact, it spurred an online furor that grew louder on Sunday after two of the night’s most nominated women, R&B singer Sza and Kesha — the latter of whom led a performance of her song “Praying” that provided the show with a powerful #TimesUp moment — walked home empty-handed.
Sunday’s Grammys featured a subtle example of the so-called six degrees of separation when lifetime achievement award recipient Emmylou Harris and Grammy darling Chris Stapleton teamed up to honor the late Tom Petty.
They sang Petty’s “Wildflowers,” the title track from his 1994 solo album, his second effort away from the Heartbreakers after going solo five years earlier with “Full Moon Fever.”
It was a sweet choice on a couple of fronts. Besides being one of Petty’s most country-influenced songs, a rumination on parting ways with a loved one, “Wildflowers” also closed out last year’s well-regarded album from Chris Hillman, “Bidin’ My Time,” which Petty co-produced and played on.
There was a lot to like on the 2018 Grammy Awards arrivals red carpet. Here's a gallery of some of our favorite looks:
Lady Gaga cut a dramatic figure in a custom Armani Privé high-necked lace bodysuit and a billowy detachable skirt, complete with train and high-leg slit. The performer and nominee topped off the dramatic look with Lorraine Schwartz chandelier earrings embellished with more than 300 carats of black diamonds.
Camila Cabello hit the carpet in a figure-hugging, strapless silk satin Vivienne Westwood couture gown in fire-engine red, teamed with a disco ball-esque Judith Leiber sphere bag. (“I try to channel the flamenco emoji for as many events as possible,” quipped the former Fifth Harmony star on Instagram.)
In his second go-round as Grammys emcee, “Late Late Show” host James Corden hasn’t been asked to call on his comic chops often, and the results have been uneven when he has (“Subway Car Karaoke,” anyone?). But he hit a bull’s eye at one target with a taped segment inspired by the Grammys’ audiobook category on Sunday.
With the conceit of Corden trying to book a famous voice to read Michael Wolff’s bestselling tell-all about the Trump administration “Fire and Fury,” Corden called upon a host of Grammy luminaries to try their level best. John Legend dryly read an excerpt about Trump appearing bored in meetings (“I think it’s too smooth,” Corden said, ushering him away, while Cher focused on a few lines about presidential hair care regimen.)
Snoop Dogg read about stars snubbing the inauguration (“I definitely wasn’t there,” he interjected before Corden ushered him away). And Cardi B seemed mystified by the stories the book held. “Why am I even reading this . . .. I can’t believe this,” she said. “This is how he lives his life?”