‘Birdman,’ ‘American Sniper,’ ‘Unbroken’ win Golden Reel Awards

“Birdman” “American Sniper” and “Unbroken” were among the winners at the Motion Picture Sound Editors Golden Reel Awards on Sunday in Los Angeles.

The Golden Reel Awards celebrate outstanding achievement in sound editing in feature films, long-form and short-form TV and other media.

“Birdman” won the Golden Reel in the category “feature film: music.” “American Sniper” earned the top prize in the “feature film: FX/foley” category. “Unbroken” received the award for “feature film: dialogue/ADR,” and “Get on Up” was the recipient for “feature film: music (music feature).”

“Big Hero 6” won for “best sound and music editing: feature animation” and “Warsaw Uprising” was honored for “best sound and music editing: feature documentaries.”

Among the winners on the television side were the “Oh Shenandoah” episode of “The Newsroom,” “The Children” installment of “Game of Thrones” and “Klondike,” Episode 1.

Director Darren Aronofsky (“Noah”) received the Filmmaker Award, and sound editor Skip Lievsay won the Career Achievement Award.

A complete list of winners:

Sound editing in feature film: music

“Birdman”

Supervising music editor: Martin Hernandez

Music editors: Terry Wilson, Will Kaplan

Sound editing in feature film: music (musical feature)

“Get on Up”

Supervising music editor: Curt Sobel

Music editors: Jordan Corngold

Sound editing in feature film: dialogue/ADR

“Unbroken”

Supervising sound editors: Becky Sullivan, Andrew Decristofaro

Dialogue/ADR editors: Laura Atkinson, Glynna Grimala

ADR editor: Lauren Hadaway

Sound editing in feature film: FX/foley

“American Sniper”

Supervising sound editors: Alan Robert Murray, Bub Asman

Sound effects editors: Jason King, Mark Larry, Roland N. Thai, Kevin R.W. Murray

Sound designer: Tom Ozanich

Supervising foley editor: Michael Dressel

Foley editor: Christopher Flick

Foley artists: Dan O’Connell, John T. Cucci

Sound and music editing: feature animation

“Big Hero 6”

Supervising sound editor: Shannon Mills

Supervising foley editor: Robert Shoup

Supervising dialogue editor: Kim Foscato

Supervising ADR editor: Daniel Laurie

Foley artists: John Roesch, Alyson Dee Moore

Sound effects editors: Addison Teague, Nia Hansen, David C. Hughes, Jeremy Bowker

Supervising music editor: Dan Pinder

Music editor: Earl Ghaffari

Foley editor: Jim Likowski

Sound and music editing: feature documentaries

“Warsaw Uprising”

Supervising sound editors: Kacper Habisiak, Bartosz Putkiewicz

Sound designer: Marcin Kasinski, Dariusz Stanek

Supervising foley editor: Henryk Zastrózny

Supervising dialogue/ADR erditor: Filip Krzemien

Foley artists: Jacek Wisniewski, Jacek Pajak

Sound effects editors: Aleksandra Pajak, Anna Kufirska, Filip Krzyzykowski

Dialogue/ADR editor: Tomasz Maciatek

Supervising music editor: Agnieszka Putkiewicz

Music editors: Dariusz Podhajski, Anna Malarowska

ADR editors: Stefan Gawlowski, Maciej Wiejaczka, Jaroslaw Bajdowski, Mariusz Bielecki, Mariusz andrysik

Sound effects editor: Michal Kosterkiewicz

Sound and music editing: feature film, foreign language

“The Liberator”

Supervising sound editors: Jay Nierenberg, Jonathan Wales

Sound designer: Trevor Gates

Supervising ADR editor: Andrés Velasquez

Foley artist: Vicki O’Reilly Vandegrift

Sound effects editors: Chris Diebold, Steven Iba, Charles Maynes, Brent Findley

Dialogue/ADR editors: Angela Hemingway, Todd Niesen

Supervising music editor: Ramiro Belgardt

ADR editors: Juan Diego Borda, Aleksandar Sasha Panich

Foley editor: Zach Schmitt

Verna Fields Award in sound editing for student films

“Sea Odyssey,” Savannah College Of Art and Design

Supervising sound editor: Beau Anthony Jimenez

Supervising foley editor: Eolyne Arnold

Foley artist: Melissa Terry

Sound effects editors: Jacob Flack, Nick Caramela, Matt Yocum

Dialogue/ADR editor: Kai Paquin

Sound editing in television, short form: music (tie)

“Almost Human,” music editor: Warren Brown

“Fargo,” supervising music editor: Skye Lewin

Sound editing in television, short form: dialogue/ADR

“The Newsroom,” “Oh Shenandoah”

Supervising sound/ADR editor: Mark Relyea

Dialogue/ADR editors: Edmund Lachmann, Julie Altus

Sound editing in television, short form: FX/foley

“Game of Thrones,” “The Children”

Supervising sound editor: Tim Kimmel

Sound designer: Paula Fairfield

Supervising foley editor: Brett Voss

Foley artists: Jeffrey Wilhoit, Dylan Wilhoit

Sound effects editor: Bradley Katona

Sound editing in television, long form: dialogue/ADR

“Klondike,” Episode 1

Supervising sound editor: Lee Walpole

Supervising dialogue editor: Jason Lawrence

Supervising ADR editor: Iain Eyre

Sound editing in television, long form: FX/foley

“Houdini,” Night 1

Supervising sound editor: Michael J. Benavente

Supervising foley editor: Robert Ulrich

Foley artist: Joan Rowe

Sound effects editors: Michael Sana, Paul Diller, Tim Cleveland, Gary Megregian, John Snider

Foley editors: Rachel Corrales, Ryan Maguire

Sound and music editing: television animation

“Star Wars: Rebels,” for “Gathering Forces”

Supervising sound editors: Matthew Wood, David Acord

Sound designer: David Acord

Supervising foley editor: Frank Rinella

Foley artists: Kim Patrick, Frank Rinella

Sound effects editor: Ryan Frias

Dialogue/ADR editor: Tony Diaz

Supervising music editor: Sean Kiner

Sound and music editing: television documentary, short form

“Ax Men,” for “Ax Marks the Spot”

Supervising sound editor/sound designer: Bob Bronow

Supervising dialogue editor: Doug Kern

Sound effects editor: Eddie Rodriguez

Sound and music editing: television documentary, long form

“Foo Fighters Sonic Highways,” for “Seattle”

Supervising sound editor/sound designer

Supervising dialogue editor: Eddie Kim

Supervising dialogue/ADR editor: Jeff Fuller

Sound effects editors: Eddie Kim, Justin Lebens

Dialogue/ADR editor: Justin Lebens

Supervising music editor: Jeff Fuller

Sound and music editing: computer episodic entertainment (Webisode)

“Halo Nightfall”

Supervising sound editor: Lee Walpole

Sound designer: Andy Kennedy

Supervising foley editor: Sarah Elias

Supervising dialogue/ADR editor: Jeff Richardson

Foley artist: Meltem Baytok

Sound effects editors: Matthew Mewett, Danton Tanimura

Sound and music editing: game cinematics

“League of Legends -- A New Dawn”

Supervising sound editors: Riot Games Audio Team

Sound designers: Riot Games Audio Team

Supervising dialogue/ADR editor: Riot Games Audio Team

Foley artists: Gary Hecker, Gary Marullo

Sound effects editors: Riot Games Audio Team

Music editors: Michael Patti, Michael Barry

Sound and music editing: direct-to-video, animation

“Star Wars: The Clone Wars,” “Sacrifice”

Supervising sound editor: Matthew Wood

Sound designer: David Acord

Supervising foley editor: Kevin Sellers

Supervising dialogue/ADR editor: Steve Slanec

Sound effects editor: Jeremy Bowker

Supervising music editor: Dean Menta

Music editor: Sean Kiner

Sound and music editing: direct-to-video, live action

“Stonehearst Asylum”

Supervising sound editors: Lon Bender, Bill Dean

Sound designers: Lon Bender, Kris Fenske

Supervising foley editor: Rachel Chancey,

Supervising dialogue/ADR editor: Bobbi Banks

Foley artist: Ryan Collison

Sound effects editors: Patrick Cicero, Dino R. Dimuro, Hector Gika, Allan Zaleski, David Raines

Supervising music editor: John Carbonara

Music editor: Chad Birmingham