When "Post Tenebras Lux" premiered at last year's Cannes Film Festival, it was mostly met with boos and pans, yet days later Carlos Reygadas...
It's a quintessential only-in-L.A. story, one that combines sex, drugs, rock and roll, glamour, money, celebrity, hang gliding, health...
Making two indie films about the drinking problems of young people might not immediately seem to put one in line for adapting a beloved&...
The police thriller "Zulu," set and shot in South Africa, will close the 66th Cannes Film Festival on May 26. Starring Forest Whitaker and...
When news broke a week ago of the death of film critic Roger Ebert, his last published review at the time was a lukewarm notice of sci-fi...
With its loose, freewheeling style, the unassuming "Gimme the Loot" has already led something of a charmed life. The film picked up the...
It remains to be seen whether "Spring Breakers" turns out to be one of the movies of the year, but it is without question a movie of its...
If there were some kind of cinematic mad lib invented for maximum potential art house outrage, Danish filmmaker/provocateur Lars von Trier&...
Independent filmmaking often acts as a farm team of sorts for Hollywood, a showcase for performers and filmmakers who go on to bigger, if...
One might assume that a story already covered by a trilogy of documentaries, numerous books, countless articles and with a trail of...
The L.A. Times is expanding its events for movie lovers with a new, free ...
Though many are befuddled this year by the new Oscar math, perhaps unable to parse just how many votes it will take to land a best picture...
Recent films such as "Carlos," "The Baader Meinhof Complex" and "Che" have looked at the blowback and aftermath of the revolutionary...
Animated features have long been the favored medium for telling kid-friendly stories about princesses and cuddly creatures. But if New York-...
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