The movie's awe-struck attitude is even more odd and unconvincing considering that the film actually doesn't shy away from portraying its subject as ruthless, overbearing and generally self-centered. Yet somehow his ability to oversee the development of shiny new things and speak in koan-like platitudes makes all sins forgivable. In the first part of the film, for instance, he refuses to acknowledge his own daughter. Later on, she just pops up on his couch without explanation.
As such, "Jobs" becomes something of a life told in product launches. The film doesn't seem particularly interested in assessing Jobs' impact on how we live our lives now, nor does it get us any closer to understanding or appreciating the man himself. (If you're looking for a rumination on how technological innovation can be a harbinger of societal change, the recent "Computer Chess" makes the point with far more grace and insight.)
Early in the film, a montage shows a college-age Jobs dropping acid, sitting in on classes in design and typography and standing in a field waving his arms as if conducting a symphony. The overly long movie could be shortened significantly just by trimming the number of times Jobs is seen staring off intently or walking alone. Because he's, you know, thinking. At times, Stern stops just short of showing a light bulb blinking over his head.
Kutcher has apparently done quite well by himself as an investor in technology startups, helping get companies such as
Late in the film, Kutcher stands with his thumb to his chin, in obvious emulation of the photo used on the cover of Walter Isaacson's widely read, authorized biography of Jobs. (Isaacson's book itself is being adapted for the screen by
The most compelling figure to emerge in "Jobs" is actually not Steve Jobs but rather fellow Apple co-founder Steve Wozniak, played by
"Jobs" feels curiously out of touch with its subject, both as a man and regarding his impact. There was a time when the slack storytelling, stock characterizations and general by-the-numbers feeling of the film could be put into perspective by saying it seemed like a TV biopic. But even TV movies are done with more verve than this these days.
MPAA rating: PG-13 for some drug content and brief strong language
Running time: 2 hours, 7 minutes
Playing: In general release