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Best music recordings of 2011

Tribune music critics Greg Kot (pop/rock), Howard Reich (jazz) and John Von Rhein (classical) weigh in on their picks of the best recordings in 2011.
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  • Wild Flag, "Wild Flag" (Merge)
  • Tune-Yards, "Whokill" (4AD)
  • Van Hunt, "What Were You Hoping For?" (Godless Hotspot)
  • F----- Up, "David Comes to Life" (Matador)
  • Feelies, "Here Before" (Bar/None)
  • Raphael Saadiq, "Stone Rollin'" (Columbia)
  • The Bewitched Hands, "Birds & Drums" (Look Mum No Hands)
  • Fleet Foxes, "Helplessness Blues" (Sub Pop)
  • Das Racist, "Relax" (Greedhead)
  • Lydia Loveless, "Indestructible Machine" (Bloodshot)
  • Miguel Zenon: "Alma Adentro: The Puerto Rican Songbook" (Marsalis Music)
  • Julian Lage Group: "Gladwell" (Emarcy)
  • Jason Adasiewicz's Sun Rooms: "Spacer" (Delmark Records)
  • Jean-Michel Pilc: "Essential" (Motema)
  • Joe Lovano: "Bird Songs" (Blue Note Records)
  • Aaron Goldberg and Guillermo Klein (Sunnyside Records)
  • Jason Stein Quartet: "The Story This Time" (Delmark Records)
  • Matthew Shipp: "Art of the Improviser" (Thirsty Ear)
  • Jane Bunnett & Hilario Duran: "Cuban Rhapsody" (Alma Records)
  • Tom McDermott, Evan Christopher: "Almost Native: Music from New Orleans & Beyond" (Threadhead Records)
  • Shostakovich: String Quartets Nos. 5-8; Miaskovsky: Quartet No. 13. Pacifica Quartet (Cedille)
  • Adams: "Son of Chamber Symphony," String Quartet. International Contemporary Ensemble, John Adams, conductor; St. Lawrence String Quartet (Nonesuch)
  • "Verismo arias." Jonas Kaufmann (Decca)
  • Pierre-Laurent Aimard: "The Liszt Project" (DG)
  • Schumann: Piano works. Andras Schiff, piano (ECM New Series)
  • Puccini: "La Boheme." Soloists Metropolitan Opera Orchestra and Chorus, Thomas Schippers, conductor (Sony Classical).
  • "Capricho Latino." Rachel Barton Pine, violin (Cedille)
  • Poul Ruders: Piano Concerto No. 2, other works
  • "Rose of Sharon: 100 Years of American Music, 1770-1870."
  • Shostakovich: Symphony No. 10. Royal Liverpool Philharmonic Orchestra, Vasily Petrenko, conductor (Naxos)
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This Ohio singer-songwriter blurs the boundaries between punk and country with this astonishingly mature and hard-hitting second album. Her outsider attitude feels earned, thanks to potent songs and a plainspoken delivery that conveys vulnerability, defiance and truth.
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Lydia Loveless, "Indestructible Machine" (Bloodshot)

This Ohio singer-songwriter blurs the boundaries between punk and country with this astonishingly mature and hard-hitting second album. Her outsider attitude feels earned, thanks to potent songs and a plainspoken delivery that conveys vulnerability, defiance and truth.
 
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