Review: Gogol Bordello's 'Pura Vida Conspiracy'

1/8

The guitars of famed rock ‘n’ roll stars often have as much personality as the musicians behind them. Here’s a look at guitars that defined not only the musician but the genre.

Update: We’ve added some key guitars and their owners to the gallery. Discuss your favorite guitars in the comments. (From left, Keith Richards (Jose Jordan / AFP/Getty Images), Joan Jett (Los Angeles Times), Prince ( Los Angeles Times))

2/8

Legendary rocker Joan Jett, a founding member of the Runaways and leader of Joan Jett and the Blackhearts, is known for shredding with the Gibson Melody Maker guitar. She became so identified with the guitar that Gibson released a special “Joan Jett” edition of the guitar in 2008. (Ethan Miller / Getty Images)

3/8

Willie Nelson’s guitar Trigger, a Martin N-20, has developed a deep, whole sound after 30-plus years of use. He got the guitar in a honky-tonk in 1969 and has vowed to quit playing if it’s ever beyond repair. (Kathy Willens / Associated Press)

4/8

Prince has been known for his mix of jazz, funk, rock and new wave and his flamboyant stage presence. But his guitars have been equally far out. In 1993, Prince changed his name to a hybrid of the male and female gender symbols and had a guitar made in the same shape. (Patrick Pagnano / Associated Press / CBS )

5/8

Rolling Stone guitarist Keith Richards is known for performing with his Fender Telecaster that he named Micawber. The 1950s Telecaster is missing the sixth string and was named after a character from Charles Dickens’ 1850 novel “David Copperfield.”

Correction: The slide originally said “David Copperfield” was written in 1935. The actual date was 1850. Also, the photo has changed to show Richards with Micawber in hand. (Joerg Koch / AFP / Getty Images)

6/8

Above: Wolfgang Van Halen playing his father’s iconic Frankenstrat guitar as they perform together at the Meadowlands in East Rutherford, N.J. in 2004.

Frakenstrat is the name classic rocker Eddie Van Halen gave his guitar after he attempted to build a guitar with a Gibson sound and a Fender Stratocaster frame. Van Halen described his lipstick red and white stripped brainchild to Guitar Player Magazine in 2004. “It is a copy of a Fender Stratocaster,” he told the magazine. “I bought the body for $50 and the neck for $80, and put in an old Gibson PAF pickup that was rewound to my specifications. I like the one-pickup sound, and I’ve experimented with it a lot...I see so many people who have these space-age guitars with a lot of switches and equalizers and treble boosters -- give me one knob, that’s it. It’s simple and it sounds cool.” (Kevin Mazur / WireImage.com)

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B.B. King explained the origin of his legendary Gibson ES-355 in the liner notes of his 1968 album “Lucille.” While playing a gig in Twist, Ark.. in 1949, a kerosene barrel was lit to keep the space warm. During the course of the night, two men began fighting and knocked over the barrel, lighting the space on fire in the process. King ran out only to notice he left his guitar in the burning building. He ran back to retrieve his guitar, almost losing his life in the process. The day after, King discovered the two men were fighting over a woman named Lucille and bestowed the name on his guitar, and every Gibson he owned afterward, as reminder to never do anything stupid like that again. (Juan Carlos Equihua / Associated Press)

8/8

Above: Queen guitarist Brian May and Jessie perform “We Will Rock You,” at the London 2012 Olympics closing ceremony at Olympic Stadium.

Queens guitarist Brian May built “Red Special” 40 years ago with his father, according to his personal website. May set out to make sure the guitar provided sound feedback by design rather than by accident. This guitar and the sound it provided May would define him as a guitarist and Queen as a band. (Robert Gauthier / Los Angeles Times)

By Randall Roberts

July 22, 2013 6:11 PM PT

Those devoted enough to buy the compact disc version of Gogol Bordello’s new album, “Pura Vida Conspiracy,” in order to parse singer Eugene Hutz’s lyrics will notice a typographical choice that captures the band’s essence. The lyrics to their dozen-song album are WRITTEN IN ALL CAPS.

It’s as if Hutz, the Ukrainian-born singer and bon vivant whose legendary vocal urgency has thrilled the festival circuit for nearly 15 years, wanted you to even more fully absorb the importance of the message.

Hutz is nothing if not a Type-A personality, one who barrels his way through “Pura Vida Conspiracy” with joyous abandon. This isn’t news: He and his traveling, multiethnic band of accordion, brass, guitar and percussion aces have long traded in musical exclamation points.

“Pure Vida,” though, overwhelms as often as it inspires. Like a boisterous, long-winded guest taking over a dinner party, the tone, righteous though it may be, suggests someone who needs to be pulled aside and asked to take it down a notch or five.

Granted, the band is at its best when laying it on thick, and taken one by one, “Pura Vida Conspiracy” has its share of gung-ho anthems. “Dig Deep Enough” could score an awesome NFL highlight reel and “Hieroglyph” is sonically surprising and super sticky. But it’s the outlier, and only proves the point: The more one communicates with all-cap enthusiasm, THE LESS PALATABLE the message can become. (Unless you’re Andrew W.K.)

Gogol Bordello

“Pura Vida Conspiracy”

Casa Gogol/ATO

1.5 stars

Review: Gogol Bordello’s ‘Pura Vida Conspiracy’

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