La Santa Cecilia will launch 'Treinta Dias' with Amoeba show Tuesday

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The guitars of famed rock ‘n’ roll stars often have as much personality as the musicians behind them. Here’s a look at guitars that defined not only the musician but the genre.

Update: We’ve added some key guitars and their owners to the gallery. Discuss your favorite guitars in the comments. (From left, Keith Richards (Jose Jordan / AFP/Getty Images), Joan Jett (Los Angeles Times), Prince ( Los Angeles Times))

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Legendary rocker Joan Jett, a founding member of the Runaways and leader of Joan Jett and the Blackhearts, is known for shredding with the Gibson Melody Maker guitar. She became so identified with the guitar that Gibson released a special “Joan Jett” edition of the guitar in 2008. (Ethan Miller / Getty Images)

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Willie Nelson’s guitar Trigger, a Martin N-20, has developed a deep, whole sound after 30-plus years of use. He got the guitar in a honky-tonk in 1969 and has vowed to quit playing if it’s ever beyond repair. (Kathy Willens / Associated Press)

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Prince has been known for his mix of jazz, funk, rock and new wave and his flamboyant stage presence. But his guitars have been equally far out. In 1993, Prince changed his name to a hybrid of the male and female gender symbols and had a guitar made in the same shape. (Patrick Pagnano / Associated Press / CBS )

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Rolling Stone guitarist Keith Richards is known for performing with his Fender Telecaster that he named Micawber. The 1950s Telecaster is missing the sixth string and was named after a character from Charles Dickens’ 1850 novel “David Copperfield.”

Correction: The slide originally said “David Copperfield” was written in 1935. The actual date was 1850. Also, the photo has changed to show Richards with Micawber in hand. (Joerg Koch / AFP / Getty Images)

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Above: Wolfgang Van Halen playing his father’s iconic Frankenstrat guitar as they perform together at the Meadowlands in East Rutherford, N.J. in 2004.

Frakenstrat is the name classic rocker Eddie Van Halen gave his guitar after he attempted to build a guitar with a Gibson sound and a Fender Stratocaster frame. Van Halen described his lipstick red and white stripped brainchild to Guitar Player Magazine in 2004. “It is a copy of a Fender Stratocaster,” he told the magazine. “I bought the body for $50 and the neck for $80, and put in an old Gibson PAF pickup that was rewound to my specifications. I like the one-pickup sound, and I’ve experimented with it a lot...I see so many people who have these space-age guitars with a lot of switches and equalizers and treble boosters -- give me one knob, that’s it. It’s simple and it sounds cool.” (Kevin Mazur / WireImage.com)

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B.B. King explained the origin of his legendary Gibson ES-355 in the liner notes of his 1968 album “Lucille.” While playing a gig in Twist, Ark.. in 1949, a kerosene barrel was lit to keep the space warm. During the course of the night, two men began fighting and knocked over the barrel, lighting the space on fire in the process. King ran out only to notice he left his guitar in the burning building. He ran back to retrieve his guitar, almost losing his life in the process. The day after, King discovered the two men were fighting over a woman named Lucille and bestowed the name on his guitar, and every Gibson he owned afterward, as reminder to never do anything stupid like that again. (Juan Carlos Equihua / Associated Press)

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Above: Queen guitarist Brian May and Jessie perform “We Will Rock You,” at the London 2012 Olympics closing ceremony at Olympic Stadium.

Queens guitarist Brian May built “Red Special” 40 years ago with his father, according to his personal website. May set out to make sure the guitar provided sound feedback by design rather than by accident. This guitar and the sound it provided May would define him as a guitarist and Queen as a band. (Robert Gauthier / Los Angeles Times)

By Reed Johnson

April 29, 2013 11:15 AM PT

By now you may have heard that a certain four-member band known for its colorful stage persona is going to be kicking off a national tour by playing an intimate L.A. gig.

What’s that you say? Mick, Keith, Ronnie and Charlie? Never heard of ‘em.

Pop & Hiss is referring to Pepe, Alex, Miguel and La Marisoul, the quartet otherwise known as La Santa Cecilia. The bilingual, pop-fusion, Latin Grammy-nominated L.A. band, which got its start many moons ago at La Cita, will perform a free show Tuesday from 6 to 9 p.m. at Amoeba Music on Sunset, a set that will showcase the new album “Treinta Dias.”

PHOTOS: Iconic rock guitars and their owners

Recently signed to the Universal label, La Santa Cecilia earlier this year released its first single off the new record, “El Hielo (Ice),” a deceptively easygoing bossa nova-infused tune that personalizes the plight of undocumented migrants. The plaintive ballad draws on the personal experiences of some of the band members, all of whom are children of Latin American immigrants. La Santa Cecilia recently performed “El Hielo” at an immigration-rights rally in Washington, D.C., timed to coincide with the U.S. Congress’ current deliberations about enacting comprehensive immigration-reform legislation.

Reportedly, La Santa Cecilia will carry its message forward this week by giving another performance as part of the annual May Day rally that in past years has drawn hundreds of thousands of pro-immigration marchers to downtown Los Angeles. The band will cap off its busy week by performing at the annual Los Lobos Cinco de Mayo festival at the Greek Theatre, on a bill headlined by the iconic East L.A. rock group that also includes Los Super 7, Willie G of Thee Midniters, Kinky, Robert Randolph, El Chicano and other guests.

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Follow me on Twitter: @RJohnsonLAT