Charles McNulty, Theater Critic


The Latest


THEATER REVIEW

Mare Winningham portrays mother Amanda as a realist. But where Tennessee Williams is concerned, that...



THEATER REVIEW

Moisés Kaufman ponders intellectuals who embrace the beauty of the everyday.



THEATER REVIEW

A privileged quartet tackles failure and loss in the gabby play at South Coast Rep.



THEATER REVIEW

By George, the old girl is indestructible. Stricken with acoustical woes at the Ahmanson Theatre and...



Theater Review

Patrick Stewart rules the updated production



'South Pacific'
THEATER REVIEW

The Broadway revival's songs still enchant even though the musical is dated by...



'Gypsy'
THEATER REVIEW

It's all roses for Patti LuPone in the new Broadway production.



CRITIC'S NOTEBOOK

Jerry Patch's departure from the Old Globe is a bad sign for the future of innovative works.



Retreading water
THEATER REVIEW

"Dancing in the Dark," a redoing of "The Band Wagon" at the Old Globe, has story...



'Sweeney Todd'
THEATER REVIEW

The music is foremost as John Doyle's chamber version visits the Ahmanson.



Nilaja Sun stands and delivers in 'No Child . . . '
THEATER REVIEW

In her solo piece at the Kirk Douglas Theatre, the artist shows what's at...



'The American Plan'
THEATER REVIEW

Love, hunger served in Richard Greenberg's somber 1990 comedy at the Old Globe...



'Othello': Villainous Iago steals the show
THEATER REVIEW

Lisa Wolpe is a standout bad guy in the all-female adaptation at The Theatre @...



'The Brig' reminds us what discipline can do
CRITIC'S NOTEBOOK

The old avant-garde theater is still an experience.



L.A. stages' 2008 openers set the bar high for the months to come
CRITIC'S NOTEBOOK

The new year has been gloriously keeping its promise: In the first two months of...



'The Seven'
THEATER REVIEW

The Greek tragedy "Seven Against Thebes" gets remixed in Will Power's DJ-driven,...



Playing Wilde with the quips
THEATER REVIEW

South Coast Repertory plays it for real in a bubbly production of "The...



'Joan Rivers: A Work in Progress by a Life in Progress'
THEATER REVIEW

The stand-up celebrity's riff on herself goes on too long, but still winds up...



Review: 'Some Girl(s)'
THEATER REVIEW

Heartbreak fuels cruel intentions in Neil LaBute's "Some Girl(s)" at the...



Review: 'Bloody Bloody Andrew Jackson'
THEATER REVIEW

Andrew Jackson is turned into a hipster icon in Alex Timbers' unabashedly...



Review: 'A Feminine Ending'
THEATER REVIEW

Delightfully offbeat star Brooke Bloom is terrific in this tangy and sometimes...



'Avenue Q' can really grow on you
THEATER REVIEW

The Tony-winning musical lends a new twist to the familiar “Sesame Street”...



'ShowBusiness: The Road to Broadway'
MOVIE REVIEW

The documentary 'Show Business' is a tribute to New York theater and those who...



Attention must be paid
THEATER REVIEW

Lisa Loomer paints a family portrait of ADD in "Distracted," but it’s a bit...



'Wicked' is almost sure to be evergreen
THEATER REVIEW

The hit musical makes L.A. its new Oz, with terrific lead performers who enhance...



Straight into the face of war
THEATER REVIEW

How do men and women psychologically cope with their transformation into...



Chalk one up for candor
THEATER REVIEW

Carrie Fisher may be better on the page than on the stage but when it's her...



'Piazza's' dramatic light grows sharper
THEATER REVIEW

Actors' portrayals bolster the cumulative power of the story and Adam Guettel'...



'Wrestling With Angels'
MOVIE REVIEW

A documentary about outspoken playwright Tony Kushner is too reverent to dig...



If it only had a heart
THEATER REVIEW

Des McAnuff’s dazzling update of "The Wiz" emphasizes electronics over emotions.



One-man show
CRITIC'S NOTEBOOK

Michael Ritchie’s first year guiding Center Theatre Group reflects an eye for...



Equal-opportunity love
THEATER REVIEW

There's a California spin to the jaunty "As You Like It," which tweaks identity.


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