Several new style books focus on great American jewelry design. Here we zero in on two of the stand-out volumes of the season.
David Webb: The Quintessential American Jeweler
American jewelry designer David Webb was a fixture on New York's social scene during the 1960s and '70s, beloved by Diana Vreeland, Nan Kempner, Doris Duke, Elizabeth Taylor, Barbra Streisand and many other style-setters.
Webb is perhaps best known for his animal bracelets, more fierce than cute, featuring lions, tigers and dragons, which were part of the ladies-who-lunch uniform of the day. But his legacy encompasses so much more, writes Ruth Peltason in "David Webb: The Quintessential American Jeweler." Drawing from company archives (although Webb died in 1975, his name and brand live on), including 40,000 drawings and records, this is the most comprehensive book ever devoted to his work with more than 300 photographs of Webb's jewelry, and the famous women who wore it.
Webb's style is characterized by his use of yellow gold, "the more barbaric the better," Art Deco influences and modern geometric forms inspired by everything from the geodesic dome near his hometown in Asheville, N.C., to the Chinese art and textiles he admired at the
Jewels by JAR
Yale University Press, $40
"Jewels by JAR," the catalog for the exhibition of the same name that runs through March 9 at the Metropolitan Museum of Art in New York, is a jewel of a book with 69 photographs of incredible pieces by Joel Arthur Rosenthal, today's preeminent American jewelry designer, who has been working in Paris since the late 1970s for a small group of in-the-know clientele.
Designing under his initials, JAR, Rosenthal creates works of art using colorful gemstones, pearls and other materials such as beetle wings. Each piece is unique and "set in metals that are sometimes subject to a degree of alchemy," art dealer Adrian Sassoon writes in the introductory essay.