It’s checkout time

ARCHITECT Welton Becket, whose firm built the Capitol Records building, designed this 1960s tower near Los Angeles International Airport. Developer Avi Brosh recently reimagined it as a loft-style business hotel whose exposed concrete columns, burnished cinder-block walls and Cementi floor tiles have an industrial feel. The lobby is warmed up with cork stools designed by Jasper Morrison for Moooi and woolly sheep sculptures from Moss with wooden legs and leather ears.

“They have been kidnapped and found all over the hotel,” an amused desk clerk says. “But they always find their way home in the morning.”

One coffee table sports a photo- engraved concrete top with the image of Becket, an effect that can be duplicated by Texas-based Intaglio Composites for a price. (The Custom’s cost $7,760.) An easier look to emulate: artists’ flat filing cabinets used as coffee tables, balanced by upholstered sectionals with purple and pink pillows.

Brosh also deployed elements of what he calls “grandma chic” – rugs with a crochet appearance and embroidered floral cushions on contemporary Nais wire chairs designed by Alfredo Häberli – to give a “comforting” feel to the spare space.

Whimsy rules. A conference room floor is covered in a grass print from the ASI Vinyl Imagination Series purchased from Architectural Systems Inc. To accentuate the faux pasture, Brosh placed a KS Cow cabinet bought for about $1,000 at Espacio Home in London (pictured on Page 1). The look can be replicated by creating a large-scale image at a copy shop and cutting it to fit flat drawer fronts.

Largely serving travelers on business or layovers, Brosh wanted surprising rooms that were “uplifting, light, uncluttered and very easy to use.” Many of his solutions can work in guest rooms and kids’ quarters. What makes the platform beds memorable is a single design move: a Kravet dog pattern for draperies that Brosh had printed on softer fabric and sewn into coverlets by SK Textile in L.A.

“Some of the best design evolves when you have restrictions,” Brosh says of the rooms, which are devoid of paintings or fussy curtains. “We were restrained in color and art and bold in layout and concept.” Indeed, the finishing touch on his “best-in-show” rooms is a blue ribbon clipped onto a plain white lamp shade.