Ladro's storefront space features an L-shaped bar with a massive bouquet of flowers, a maitre d' in a gold-stenciled Martin Margiela T-shirt and a busy wood-burning oven. Everyone crowds in at the long communal tables, as more people storm the door or wait outside on the sidewalk. The menu and specials are scrawled on a white subway-tile wall—a handful of appetizers and salads, a dozen pizzas and the roast of the night. From the dining room, you can see into the kitchen, under the command of Rita Macali, a fierce-looking beauty who is Ladro's chef and co-owner.
Pizzas from Ladro's wood-burning oven are thin-crusted and handsome. There's a Margherita, of course, but also Badabing, which has pork sausage, provolone, oregano and fresh hot pepper, and Phat, lavished with fresh mozzarella (straight from Campania), prosciutto and wild arugula. Molten and blistered, the pizzas arrive with a wheeled cutter so you can serve the slices yourself.
Follow—or not—with the roast of the night. It might be quail roasted with potatoes, succulent capretto (baby kid) or porchetta (suckling pig), depending on what the farm that supplies the restaurant has at the moment. In a few weeks, our waiter explains they'll have abbacchio, thereby just about breaking my heart. That's the exquisite milk-fed baby lamb Italians are crazy about, especially at Easter. Now I wish I'd delayed my trip a few weeks. The dessert that night is an organic fruit plate, which doesn't sound exciting, but the devil is in the details—sliced kiwi, fragrant melon and, get this, grapes from a vine that grows over somebody's garage.
After dinner we head across the street to the Gertrude Street Enoteca for a glass of wine and, much later, an espresso. The enoteca is a dishy little place—part wine shop, part wine bar and café—serving excellent cured meats, cheeses and panini. A few tiny tables are moored in front of shelves holding wine, amari, digestivi and the occasional cookbook or Jonathan Franzen novel tucked among bottles of sauce and jars of preserved lemon.
Co-owner James Broadway, a wine importer who is active in Melbourne's Slow Food chapter, knows his stuff and offers a small but shrewd collection of top-notch Italian, French and Austrian labels mixed in with some interesting Australian producers. It's such a terrific place to hang that I return the next day for lunch, when his partner, Brigitte Hafner, a chef who writes recipes for the Sydney Morning Herald, helps out with a short menu of simple dishes.
I love the enoteca's quirky aesthetic: Behind the bar is a giant blackboard with Elizabeth David's recipe for duck with figs written out in a lovely hand, and from the ceiling hang Spanish hams and prosciutto, branches of bay leaves, dried red peppers and braids of garlic. And those bottles of sugo? They're left over from a Slow Food event where tomato sauce was cooked up in big cauldrons the old-fashioned way.
See what I mean? Melbourne is really into the Italian thing.
Food in Australia isn't just one cuisine. Immigrants to the remote continent brought with them their recipes and traditions along with their trunks of clothes and memories. Melbourne, the capital of Victoria in southeast Australia, is a multicultural mix of immigrants from 140 nations. In the years after World War II, Italians arrived in great numbers.
Melbourne's restaurants encompass so many cuisines, you could go around the world in 80 days. The strongest, though, is, Italian. I'm not talking red-sauce Italian or the mom-and-pop places you find in New York's Little Italy. In this city of 3 million, a new generation of chefs and restaurateurs has broken out of the 'hood. Well traveled and no slouches in the culinary research department, Melbourne's chefs are turning out Italian cooking soulful enough to rival the mother country's.
An Australian wine importer had shared with me a few of his favorite spots, including Becco, where he said he could eat every night. I'd already discovered it my first day in Melbourne, when my paramour (otherwise known as my husband, Fred) and I had walked all over the city in a vain attempt to stave off jet lag. At one point we found ourselves in a narrow lane lined with galleries, boutiques and an Asian restaurant with the delicious name Madam Fang. Next door was Becco, a string of storefronts cobbled together with an open kitchen at the back. At 3 in the afternoon people were still lingering over lunch. How great is that?
Elizabeth Egan, its co-owner and chef, is an intelligent, sensual cook who turns out char-grilled quail wrapped in pancetta on a cushion of rösti potatoes or a supple swordfish carpaccio embellished with orange and pepper. She might sauce trofie (Ligurian corkscrew pasta) with slivered white anchovies, broccoli, capers and a squirt of lemon to create a tapestry of salty and sour. Roast duck really tastes like duck, its flavor set off by a Muscatel and grappa sauce. I loved the lamb loin with smashed cannellini beans too. Dessert was a dreamy plum crostata with mascarpone ice cream or tiramisu spooned out in a loose oval dusted with cocoa and swathed in an espresso sauce decorated with coffee beans. If I hadn't already made reservations elsewhere, I would have come back the next night to try the rest of the menu.
The next day we take the tram to the beach neighborhood of St. Kilda. (Melbourne is made up of a series of linked villages or neighborhoods.) The object? Lunch at Café di Stasio. My various informants had given this long-running Italian mixed reviews, which upon further investigation seemed to have more to do with the flamboyant personality of owner Ronnie (Rinaldo) di Stasio than the food. He wasn't there that day, so I can't judge. But I definitely appreciate the café's theatrical setting, with dark blinds filtering out the sea light and extravagant Venetian plastered walls hung with pale masks.
At lunch, the $25 prix fixe menu is a steal for two courses, dessert and a glass of wine. You can have spaghetti all' amatriciana, followed by calamari and peas in a fresh tomato sauce, for example. But the pasta courses on the regular menu are just too tempting to pass up: maltagliate ("badly cut") pasta flecked with parsley and tossed with braised scallion, bitter radicchio and sautéed calamari, or linguine with plump, intensely delicious coral prawns and their roe. We round off our lunch with lamb braised in white wine, anchovies and rosemary. And, of course, an espresso. Melbourne's Italian restaurant scene was swimming into focus.
Sophisticated and serious. Just like the coffee.
Order an espresso almost anywhere in Melbourne and it's superb—short and strong with the right amount of crema, or foam. Better than in Italy in many cases. I would leave my hotel, walk in any direction and have a choice of stylish cafés where the barista knew how to make a terrific espresso or macchiato.
You also can get slabs of toast with good butter and splendid jam, along with fresh copies of newspapers and magazines. After only a few days in Melbourne, I already had some favorites—Pellegrini, for example, an espresso bar in the heart of the city that hasn't changed much since the '50s, and Il Solito Posto in the downtown business district.
One morning I take the Elizabeth Street tram to the covered Queen Victoria Market, which is on 17 acres of land that Queen Victoria gave to the city more than 125 years ago. A 10-minute ride from the city center, the market draws shoppers from all corners, and no wonder.
The minute I step off the tram, the smell of roasting coffee draws me into Coffea Coffee for yet another delicious macchiato. This tiny shop sells coffee beans and all sorts of coffee paraphernalia, espresso machines and parts. We end up staying for lunch. Coffea has two chefs who prepare a small menu exclusively from ingredients from the market, things such as panini with eggplant tapenade and slices of hard-boiled egg, and cabbage salad with thinly sliced porchetta and apple. For dessert, there might be ricotta cheesecake with fresh figs, and castagnaccio, the Tuscan chestnut-flour cake.