Los Angeles-based designer Brendan Ravenhill creates furnishings, lamps and accessories that are surprisingly elegant given that they are driven by manufacturing processes.
Ravenhill describes himself as someone who "chases simplicity" in his designs. He is known for his industrial-looking chairs and bar stools, as well as pliable pendant lamps made of cloth-covered electrical cord, thin sheets of polyethylene and bare light bulbs.
Since his impressive 2011 redesign of Hollywood restaurant Osteria La Buca, Ravenhill's practice has quickly grown. Last month he debuted a new lighting collection at the International Contemporary Furniture Fair in New York, and he has just opened a show of new chandeliers and pendants at Fifth Floor Gallery in L.A.'s Chinatown. He also sells his designs online at www.brendanravenhill.com.
"Brendan Ravenhill is the type of designer that prioritizes form and function to create pieces that are sleek and thoughtfully simplistic," says Vanessa Holden, creative director of West Elm, which collaborated with him on a line of powder-coated aluminum dustbins. "His designs are smart, dynamic and just slightly nostalgic in a way that adds personality to the modern home."
Ravenhill, 35, runs his small design studio out of his Midcentury home in Echo Park. He grew up in
"Local manufacturers are an instrumental part of our design, " Ravenhill says. "My greatest inspiration comes from how things are made."
Indeed, the design for his new Grain spun-aluminum pendant lamp is the result of a factory tour. After a fabricator tried to talk him out of using a tool that would leave a wood grain impression on his finished shade, Ravenhill devised a way to enhance the grain impression even further. "Constraints add so much to design," Ravenhill says. "We try to celebrate the way things go together."
Certainly other designers pursue austerity, but as Fifth Floor Gallery owner Robert Apodaca points out, Ravenhill's work is of interest because it is informed by his process. "His work exemplifies the current California design movement," Apodaca says. "There is beauty in his efficiency. It encompasses not just material and form, but production, via his orchestration of various skilled local fabricators."
It's a process that has been expedited by his move to Los Angeles, a city with an abundance of manufacturers.
And with more designers looking to L.A. as a creative capital, Ravenhill says he's found his home. "It's an ideal place to live and work," he says. "And an exciting place to get things built."