"A" is for agonizing, awful and apocalyptic.
"B is for bizarre, brutal and bloody.
"D" is for disturbing, deeply disturbing; "S" for subversive; "T" for twisted and transgressive.
It's not for everyone.
Spanish director Adrian Garcia Bogliano's "B Is for Bigfoot" is an amusing account of a sexually aroused woman warning her boyfriend's little sister that girls who don't go to sleep by 8 are carried off and eaten by an abominable snowman who now lives in Mexico City. Yes, it has a gory payoff.
Marcel Sarmiento's "D Is for Dogfight" may be the most disturbing (which is saying something), a vivid, ugly slow-motion parable about an underworld where dogs fight homeless men to the death. Until one dog and one homeless guy find common ground.
"K Is for Klutz" is a laugh-out-loud animated affair about a blonde battling, to the death, something she tried and failed to get down the toilet on the first flush.
That film's Danish animator Anders Morgenthaler wasn't the only one who thought "toilet" when he joined this project. Lee Hardcastle's comical and crudely made clay-animated "T Is for Toilet," about toilet-training a tyke, has a wicked payoff too.
A couple of the American-made movies are built around "How can we make a movie about death and the letter 'Q' or 'W'?" and are the most amateurish.
"M is for Miscarriage" you can figure out on your own.
The blood flows, the gore grows and the strain shows as the filmmakers try to find new ways to off people, new ways to gross out and fresh attempts to offend (such as child prostitution).
About half of the short films work and half don't. But even the half that do can be a grim slog for those not inured to the splatter/spatter/slasher end of the horror spectrum.