Henry Jaglom's “Train to Zakopané,” premiering at the Edgemar Center for the Arts, is based on an incident in the life of his father: a rich, complex, heartbreaking story of doomed lovers in Poland between the wars.
The script could stand a vigorous pruning, several performances are still wobbly and the set changes are noticeably time-consuming — yet this production, directed by Gary Imhoff, has promise.
For the record
Jan. 13, 2015, 12:57 p.m.: An earlier version of this review miscredited the photo to Ron Vignone. The photo was taken by Tristan Baur.
The story begins on a train from Warsaw in...