Dog and movie lovers, take note: Lassie has come home.
But the latest movie devoted to the canine legend is, surprisingly, something special. It's not another thin new concoction or glossy update. Set in the original place and period (Yorkshire and Scotland on the eve of World War II), starring a photogenic new collie named Mason, it's easily the best Lassie movie since the classic first film, 1943's "Lassie Come Home."
Like that great little picture, directed by Fred M. Wilcox in MGM's heyday, the new "Lassie" is faithful to Knight's story, capturing its sweep, Dickensian social contrasts and high emotion. All that is enhanced by a splendid cast that includes Peter O'Toole, Samantha Morton, Peter Dinklage, Steve Pemberton and Edward Fox--plus two delightful child actors, Jonathan Mason and Hester Odgers, as Joe Carraclough and Cilla (the old Roddy McDowall and Elizabeth Taylor roles).
Sturridge takes us to the pre-war Yorkshire town of Greenhall, home of the Carracloughs, a sturdy lower-class mining family with a precious jewel of a collie. Though times are rough, 9-year-old Joe's mother and dad, Sarah (Morton) and Sam (John Lynch), initially resist the magisterial Duke of Rudling (O'Toole), who wants to purchase Lassie for his kennel and his spunky little granddaughter, Cilla. When the mine closes, though, Joe's parents are forced to reconsider. Lassie is sold.
Unfortunately, the Duke's head kennelman, Hynes (Steve Pemberton), is a sadist who becomes infuriated when the dog keeps escaping to return to Joe. And Lassie's determination perseveres even when the Duke takes her to his distant castle up north, commencing on the canine odyssey that will carry her through many adventures--notably involving puppeteer Rowlie (Dinklage), a clownish dogcatcher (Gregor Fisher), a courtroom appearance and even (added for this film) a whimsical scene with absent-minded adventurer Fox and the Loch Ness Monster.
What makes Knight's story work so well, still, is its blend of character, action, realism, social edge, fantasy and humor. Lassie is a genuine heroine, and Knight's book, the 1943 movie and this one all make us care deeply about whether she gets home. The last 20 or so minutes of this film--a sequence with Rowlie and his little dog Toots (named after Knight's own pet) and an annihilating snow scene--had me, I confess, in tears.
They were fairly earned. Sturridge, a master at film literary adaptations, made both the superb 1981 British TV serial of Evelyn Waugh's "Brideshead Revisited" and the first-rate 1996 version of Jonathan Swift's "Gulliver's Travels." He does just as well by Knight. What makes this film succeed are the director's quiet skill--he's an adapter in the George Cukor-Carol Reed class--and the all-around excellence of his cast.
O'Toole gives Lord Rudling his old furious eloquence, and Morton and Lynch make a touching couple. The child actors are beguiling, and Pemberton, the comic star of the BBC's "The League of Gentlemen," is properly swinish as Hynes. The movie is also full of gem-like cameos (Fox, Fisher and John Standing), and the collie actors (Mason and Dakota, Mason's stunt double) hold the camera as strongly as did Pal, the great first Lassie. (Mason, unlike Pal, is a female.)
"Lassie's" most memorable performance is supplied by Dinklage, the powerful little actor of "The Station Agent" and "Find Me Guilty," in Edmund Gwenn's old role of the gypsy showman Rowlie. Dinklage's scenes in his horse-and-carriage caravan and the feeling he gives of the special world of outsiders and artists have a discretion and subtlety that break your heart.
"Lassie" is a film for moviegoers who want something old-fashioned, so lovingly crafted and genuinely moving that it carries you back to an earlier cinema/literary age. Some audiences may find it too sentimental, chafing at its mix of high-toned acting/production and adorable children and dogs. But they're probably the sort who wouldn't like a "Lassie" movie anyway.
Directed and written by Charles Sturridge; photographed by Howard Atherton; edited by Peter Coulson, Adam Green; production designed by JP Kelly; music by Adrian Johnston; produced by Ed Guiney, Francesca Barra, Sturridge. A Roadside Attractions/Samuel Goldwyn Films release; opens Friday. Running time: 1:39. MPAA rating: PG (for some mild violent content and language).
Duke of Rudling - Peter O'Toole
Sarah Carraclough - Samantha Morton
Rowlie - Peter Dinklage
Joe Carraclough - Jonathan Mason
Sam Carraclough - John Lynch
Cilla - Hester Odgers
Eddie Hynes - Steve Pemberton
Lassie - Mason, Dakota