Grammys--Round 1 : Pop music: Phil Collins' 8 nominations lead the pack and Quincy Jones sets a record with his 74th nod. The winners will be revealed on Feb. 20.


Veteran producer-arranger Quincy Jones established a Grammy landmark and newcomer Mariah Carey pulled off a rare parlay in the nominations for the 33rd annual Grammy Awards, which were announced Thursday at the Beverly Hilton Hotel.

Grammy perennial Phil Collins led the pack of nominees with a total of eight nominations. The Grammy list encompasses 77 categories in 27 musical fields from rap to classical music. The awards will be presented at Radio City Music Hall in New York on Feb. 20 and will be broadcast live on CBS-TV.

Producer-arranger Jones' five nominations--including a best album nod for "Back on the Block"--brought his career total to 74, moving him ahead of Henry Mancini, who has 71. Jones has won 19 Grammys, starting with a 1963 arrangement for Count Basie and including album of the year and record of the year in 1983 as producer of Michael Jackson's "Thriller" album and "Beat It" single.

Young soul-pop singer Carey was named in five categories, including album, song, record and new artist. Only Tracy Chapman in 1988 and Christopher Cross in 1980 had been previously nominated in the last four categories.

Nominees were chosen by more than 6,000 voting members of the National Academy of Recording Arts & Sciences.

Besides Jones and Carey, the album nominees are Phil Collins (". . . But Seriously"), M.C. Hammer ("Please Hammer Don't Hurt 'Em") and Wilson Phillips ("Wilson Phillips").

Joining Carey's "Vision of Love" in the running for best single record are Collins' "Another Day in Paradise," Bette Midler's "From a Distance," M.C. Hammer's "U Can't Touch This" and Sinead O'Connor's "Nothing Compares 2 U."

The major surprise of the voting involved O'Connor. The controversial singer received four nominations but was shut out in the prestigious album of the year category.

O'Connor and rapper Hammer (who also received four nominations) were the dominant pop figures of the past year, and her widely acclaimed "I Do Not Want What I Haven't Got" had been considered an automatic best-album entry. O'Connor's nominations are in the record, female pop vocal, alternative album and short-form video categories.

Like Carey, the vocal trio Wilson Phillips will compete for both best album and best new artist. The other new artist contenders are English soul singer Lisa Stansfield, Atlanta-based rockers the Black Crowes and country mavericks the Kentucky Headhunters.

In the song of the year category--a writer's award--Collins was nominated for "Another Day in Paradise"; Carey and Ben Margulies for "Vision of Love"; Julie Gold for Midler's "From a Distance"; Chynna Phillips, Glen Ballard and Carnie Wilson for Wilson Phillips' "Hold On," and Prince for O'Connor's "Nothing Compares 2 U."

In the alternative-music category, introduced this year to recognize non-mainstream acts, a misplaced O'Connor is joined by the Replacements, World Party, Kate Bush and Laurie Anderson.

Blues singer-guitarist Stevie Ray Vaughan, who died in a helicopter crash last August, received two nominations for the Vaughan Brothers record he made with his brother Jimmie Vaughan. Other posthumous nominees are Leonard Bernstein, Art Blakey (as a member of Bluesiana Triangle), Mel Lewis, Vladimir Horowitz, Roy Orbison, Keith Whitley, Ray Goulding of Bob & Ray and Jan DeGaetani.

The fresh thinking apparent in the classical nominations last year continues, with new names and interesting repertory in all fields.

In the best-album category, however, memorial sentiment and star power will be major factors, as Leonard Bernstein's Ives program with the New York Philharmonic and Horowitz's last recording vie with the Carreras-Domingo-Pavarotti concert.

The Bernstein Ives is also up for best orchestral performance, where it competes with his Shostakovich program with the Chicago Symphony, which has another nomination itself in the best engineering category.

Other multiple nominees include Robert ("The Inevitable") Shaw's Rachmaninoff Vespers, which is on the ballot in the best album, best engineering, and best choral performance categories. In the last area it joins Shaw's Atlanta Symphony/Chorus recording of Walton's "Belshazzar's Feast" and Bernstein's "Chichester Psalms" and Missa Brevis.

Bernstein will also be the sentimental favorite for best contemporary composition, with his "Arias and Barcarolles" matched against vote-splitting entries from John Adams, Henri Lazarof, Terry Riley and Ellen Taaffe Zwillich. John Henken contributed to this article.


The Grammy nominations again favor commerciality over creativity, according to Robert Hilburn. F16


"Mariah Carey" (Mariah Carey)

". . . But Seriously" (Phil Collins)

"Please Hammer Don't Hurt 'Em"

(M.C. Hammer)

"Back on the Block" (Quincy Jones)

"Wilson Phillips" (Wilson Phillips)


"Vision of Love" (Mariah Carey)

"Another Day in Paradise" (Phil Collins)

"U Can't Touch This" (M.C. Hammer)

"From a Distance" (Bette Midler)

"Nothing Compares 2 U"

(Sinead O'Connor)


The Black Crowes

Mariah Carey

The Kentucky Headhunters

Lisa Stansfield

Wilson Phillips

List of Grammy Nominees

Here is a complete list of nominations for the 33rd annual Grammy Awards:

Top Categories

Record: "Another Day in Paradise," Phil Collins; "From a Distance," Bette Midler; "Nothing Compares 2 U," Sinead O'Connor; "U Can't Touch This," M. C. Hammer; "Vision of Love," Mariah Carey.

Album: "Back on the Block," Quincy Jones; " . . . But Seriously," Phil Collins; "Mariah Carey," Mariah Carey; "Please Hammer Don't Hurt 'Em," M. C. Hammer; "Wilson Phillips," Wilson Phillips.

Song: "Another Day in Paradise," Phil Collins; "From a Distance," Julie Gold; "Hold On," Chynna Phillips, Glen Ballard and Carnie Wilson; "Nothing Compares 2 U," Prince; "Vision of Love," Mariah Carey and Ben Margulies.

New Artist: the Black Crowes; Mariah Carey; the Kentucky Headhunters; Lisa Stansfield; Wilson Phillips.

Female Pop Vocal: "All Around the World," Lisa Stansfield; "From a Distance," Bette Midler; "I'm Your Baby Tonight," Whitney Houston; "Nothing Compares 2 U," Sinead O'Connor; "Vision of Love," Mariah Carey.

Male Pop Vocal: "Another Day in Paradise," Phil Collins; "Downtown Train," Rod Stewart; "Georgia on My Mind," Michael Bolton; "I Don't Have the Heart," James Ingram; "Oh Pretty Woman" (from "A Black & White Night Live"), Roy Orbison; "Storm Front," Billy Joel.

Pop Vocal by a Duo or Group: "Across the River," Bruce Hornsby & the Range; "All I Wanna Do Is Make Love to You," Heart; "All My Life," Linda Ronstadt with Aaron Neville; "Hold On," Wilson Phillips; "Roam," B-52's; "Unchained Melody" (1990 re-recording), Righteous Brothers.

Pop Instrumental: "Going Home," Kenny G; "Saturday Night and Sunday Morning," Phil Collins; "Setembro (Brazilian Wedding Song)," Quincy Jones; "Twin Peaks Theme," Angelo Badalamenti; "What's Goin' On," Stanley Jordan.


Female Rock Vocal: "The Angels," Melissa Etheridge; "Black Cat," Janet Jackson; "Black Velvet," Alannah Myles; "Steamy Windows," Tina Turner; "Whole Lotta Trouble," Stevie Nicks.

Male Rock Vocal: "Bad Love," Eric Clapton; "Blaze of Glory," Jon Bon Jovi; "Cradle of Love," Billy Idol; "Rockin' in the Free World," Neil Young; "You Can Leave Your Hat On," Joe Cocker.

Rock Vocal by a Duo or Group: "Almost Hear You Sigh," Rolling Stones; "Blue Sky Mining," Midnight Oil; "Higher Ground," Red Hot Chili Peppers; "Janie's Got a Gun," Aerosmith; "Suicide Blonde," INXS.

Rock Instrumental: "Ah Via Musicom," Eric Johnson; "D-FW," Vaughan Brothers; "Flying in a Blue Dream," Joe Satriani; "Passion and Warfare," Steve Vai; "True Gravity," Allman Brothers Band.

Hard Rock: "Epic," Faith No More; "Kickstart My Heart," Motley Crue; "The Razors Edge," AC/DC; "Ritual De Lo Habitual," Jane's Addiction; "Time's Up," Living Colour.

Metal: "Lights . . . Camera . . . Revolution," Suicidal Tendencies; "Painkiller," Judas Priest; "Persistence of Time," Anthrax; "Rust in Peace," Megadeth; "Stone Cold Crazy," Metallica.

Alternative Music: "All Shook Down," the Replacements; "Goodby Jumbo," World Party; "I Do Not Want What I Haven't Got," Sinead O'Connor; "The Sensual World," Kate Bush; "Strange Angels," Laurie Anderson.

R & B

Female R&B; Vocal: "Alright," Janet Jackson; "Compositions," Anita Baker; "Giving You the Benefit," Pebbles; "I Can't Complain," Patti LaBelle; "Make It Like It Was," Regina Belle.

Male R&B; Vocal: "Here and Now," Luther Vandross; "Johnny Gill," Johnny Gill; "Misunderstanding," Al B. Sure!; "Round and Round," Tevin Campbell; "Whip Appeal," Babyface.

R&B; Vocal by a Duo or Group: "Born to Sing," En Vogue; "Can't Stop," After 7; "I'll Be Good to You," Ray Charles and Chaka Khan; "Papa Was a Rolling Stone," Was (Not Was); "The Secret Garden (Sweet Seduction Suite)," Al B. Sure!, James Ingram, El DeBarge and Barry White.

R&B; Song: "Alright," Janet Jackson, James Harris III and Terry Lewis; "Here and Now," Terry Steele and David L. Elliott; "I'll Be Good to You," George Johnson, Louis Johnson and Sonora Sam; "My, My, My," L.A. Reid, Babyface and Daryl Simmons; "U Can't Touch This," James Miller and M. C. Hammer.


Rap Solo: "All Hail the Queen," Queen Latifah; "I Got the Job Done," Big Daddy Kane; "Ice Ice Baby," Vanilla Ice; "Monie in the Middle," Monie Love; "U Can't Touch This," M. C. Hammer.

Rap by a Duo or Group: "And In This Corner," DJ Jazzy Jeff & Fresh Prince; "Back on the Block," Ice-T, Melle Mel, Big Daddy Kane and Kool Moe Dee; "Fear of a Black Planet," Public Enemy; "The Humpty Dance," Digital Underground; "We're All in the Same Gang," West Coast Rap All-Stars.


Jazz Fusion: "Apasionado," Stan Getz; "Birdland" (track from "Back on the Block"), Quincy Jones (various artists); "Fast Forward," Spyro Gyra; "Inside Out," Chick Corea Elektric Band; "Stolen Moments," Lee Ritenour.

Female Jazz Vocal: "All That Jazz," Ella Fitzgerald; "Carmen Sings Monk," Carmen McRae; "Droppin' Things," Betty Carter; "I Got It Bad and That Ain't Good" (track from "Echos of Ellington Vol. 1"), Dianne Reeves; "The Peggy Lee Songbook--There'll Be Another Spring," Peggy Lee.

Male Jazz Vocal: "Astoria: Portrait of the Artist," Tony Bennett; "Big Boss Band," George Benson; "Freddie Freeloader," Jon Hendricks; "Scrapple From the Apple" (track from "The Many Faces of Bird"), Bobby McFerrin; "We Are in Love," Harry Connick Jr.

Jazz Instrumental Soloist: "Anniversary," Stan Getz; "Basie's Bag" (track from "Big Boss Band"), George Benson; "Crazy People Music," Branford Marsalis; "The Hot Spot," Miles Davis; "The Legendary Oscar Peterson Trio Live at the Blue Note," Oscar Peterson.

Jazz Instrumental, Group: "Again Never" (track from "Mo' Better Blues"), Branford Marsalis Quartet featuring Terence Blanchard; "Bluesiana Triangle," Art Blakey, Dr. John and David (Fathead) Newman; "The Legendary Oscar Peterson Trio Live at the Blue Note," Oscar Peterson Trio; "Max & Dizzy--Paris 1969," Max Roach and Dizzy Gillespie; "Standard Time Vol. 3, the Resolution of Romance," Wynton Marsalis.

Jazz Instrumental, Big Band: "Airmail Special," Louie Bellson; "Basie's Bag" (track from "Big Boss Band"), Count Basie Orchestra (on the George Benson album featuring the Count Basie Orchestra); "Cookin' in the Kitchen," Lionel Hampton and His Big Band; "The Definitive Thad Jones Volume 2 Live From the Village Vanguard," Mel Lewis Jazz Orchestra; "Treasure Chest," Bob Florence Limited Edition.


Female Country Vocal: "Come Next Monday," K. T. Oslin; "I Fell in Love," Carlene Carter; "Quittin' Time," Mary-Chapin Carpenter; "Where You've Been," Kathy Mattea; "You Lie," Reba McEntire.

Male Country Vocal: "Friends in Low Places," Garth Brooks; "Hard Rock Bottom of Your Heart," Randy Travis; "I'd Be Better Off (In a Pine Box)," Doug Stone; "Turn It On, Turn It Up, Turn Me Loose," Dwight Yoakam; "When I Call Your Name," Vince Gill.

Vocal Country by a Duo or Group: "Fast Movin' Train," Restless Heart; "Ghost in This House," Shenandoah; "Jukebox in My Mind," Alabama; "Love Can Build a Bridge," the Judds; "Pickin' on Nashville," Kentucky Headhunters.

Country Vocal Collaboration, for duos or groups of artists who do not normally sing together: "A Few Ole Country Boys," Randy Travis and George Jones; "Highwayman 2," Waylon Jennings, Willie Nelson, Kris Kristofferson and Johnny Cash; "Poor Boy Blues," Chet Atkins and Mark Knopfler; " 'Til a Tear Becomes a Rose," Keith Whitley and Lorrie Morgan; "Waiting on the Light to Change," Randy Travis and B. B. King.

Country Instrumental Performance: "Dawg '90," David Grisman; "Pedernales Stroll," (track from "Keeping Me Up Nights"), Asleep at the Wheel; "So Soft, Your Goodby," (track from "Version of the Truth"), Foster & Lloyd; "Wild Rose," (track from "Breaking New Ground"), Wild Rose.

Bluegrass Recording, vocal or instrumental: "The Boys Are Back in Town," Nashville Bluegrass Band; "Darlin' Boys," the Dillards; "Grassroots to Bluegrass,," Mac Wiseman; "I've Got That Old Feeling," Alison Krauss; "Take It Home," Hot Rize.

Country Song: "Come Next Monday," K.T. Oslin, Rory Michael Bourke and Charlie Black; "The Dance," Tony Arata; "Friends in Low Places," DeWayne Blackwell and Earl Bud Lee; "When I Call Your Name," Vince Gill and Tim DuBois; "Where've You Been," Jon Vezner and Don Henry.


Rock/Contemporary Gospel Album: "Beyond Belief," Petra; "Crank It Up," Mylon & Broken Heart; "Find Me in These Fields," Phil Keaggy; "Phase II," Eddie DeGarmo; "The Secret of Time," Charlie Peacock.

Pop Gospel Album: "Another Time . . . Another Place," Sandi Patti; "Go West Young Man," Michael W. Smith; "God Is Good," First Call; "More to This Life," Steven Curtis Chapman; "Warriors," Phil Driscoll.

Southern Gospel Album: "The Great Exchange," Bruce Carroll; "He's Still in the Fire," the Speers; "Let the Redeemed Say So," the Nelsons; "The Reunion," Happy Goodman Family; "Victory Road," J. D. Sumner & the Stamps.

Traditional Soul Gospel Album: "Bringing It Back Home," the Clark Sisters; "I Remember Mama," Shirley Caesar; "Mom & Pop Winans," Mom & Pop Winans; "Ron Winans Presents Family & Friends Choir II," Ron Winans, Family & Friends Choir; "Tramaine Hawkins Live," Tramaine Hawkins.

Contemporary Soul Gospel Album: "Face to Face," Edwin Hawkins; "He's Right on Time--Live From Los Angeles," Daryl Coley; "Portrait," Richard Smallwood Singers; "Return," the Winans; "So Much 2 Say," Take 6.

Gospel Album, Choir or Chorus: "Having Church," Rev. James Cleveland & the Southern California Community Choir with the Rev. James Cleveland, choir director; "He's Worthy," Dr. Jonathan Greer and the Cathedral of Faith Choirs with Maurice Culpepper, choir director; "Hold On, Help Is On the Way," Georgia Mass Choir with James Bignon, choir director; "Love Alive IV," Love Center Mass Choir with Walter Hawkins, choir director; "Open Our Eyes," Rev. Milton Brunson & the Thompson Community Singers with the Rev. Milton Brunson, choir director.


Latin Pop: "Autobiografia," Duncan Dhu; "Por Que te Tengo Que Olvidar?" (track from "Nina"), Jose Feliciano; "Quien Como Tu," Ana Gabriel; "Se Me Enamora el Alma" (track from "Se Me Enamora el Alma"), Isabel Pantoja; "20 Anos," Luis Miguel.

Tropical Latin: "Amiga" (track from "Los Principes de la Salsa"), Luis Enrique; "Color Americano," Willie Colon; "Lambada Timbales" (track from "Chile Con Soul"), Poncho Sanchez; "Tito Puente Presents Millie P.," Tito Puente and Millie P.

Mexican-American: "Amor Con Amor" (track from "No Te Olvidare"), Mazz; "Familia y Tradicion," Santiago Jimenez Jr.; "Las Clasicas de Jose Alfredo Jiminez," Vincente Fernandez; "Nuestro Tiempo," Los Diablos; "Soy de San Luis" (track from "Texas Tornados"), Texas Tornados.


Traditional Blues: "Coming to Town" (track from "The Hot Spot"), John Lee Hooker, Earl Palmer, Tim Drummond, Miles Davis and Roy Rogers; "Live at San Quentin," B. B. King; "Standing My Ground," Clarence (Gatemouth) Brown; "T'aint Nobody's Bizness If I Do" (track from the "Black and Blue" cast recording), Ruth Brown and Linda Hopkins.

Contemporary Blues: "Family Style," the Vaughan Brothers; "Jump for Joy," Koko Taylor; "Midnight Stroll," Robert Cray Band; "Red Hot & Blue" (Track from "Red, Hot & Blue"), B. B. King and Lee Atwater; "Stickin' to My Guns," Etta James.


New Age: "Balkan," Mysterious Voices of Bulgaria (Philippe Eidel and Arnaud Davis, producers); "Caravan of Dreams" (track from "Reference Point"), Acoustic Academy; "Earth: Voices of a Plant," Paul Winter; "Mark Isham," Mark Isham; "Taproot," Michael Hedges; "Yellowstone--The Music of Nature," Mannheim Steamroller.

Traditional Folk: "Brazil Forro--Music for Maids and Taxi Drivers," Toinho de Alegoas, Duda de Passira, Jose Orlando and Heleno Dos Oito Baixos; "Classic Tracks," Ladysmith Black Mambazo; "Let's Get Cajun," Basin Brothers; "Old Time Duets," Whitstein Brothers; "On Praying Ground," Doc Watson; "Partisans of Vilna: Songs of World War II Jewish Resistance," various.

Contemporary Folk: "Days of Open Hand," Suzanne Vega; "Hammer and a Nail" (track from "Nomads-Indians-Saints"), Indigo Girls; "Helpless Heart," Maura O'Connell; "Steady On," Shawn Colvin.

Reggae: "An Hour Live," Toots & the Maytals; "Make Place for the Youth," Andrew Tosh; "Mek We Dweet," Burning Spear; "Now," Black Uhuru; "Time Will Tell--A Tribute to Bob Marley," Bunny Wailer.

Polka: "Everybody Polka," Eddie Blazonczyk's Versatones; "Fiddle Faddle," Polka Family Band; "Grand Illusion," Toledo Polkamotion; "Sounds From the Heart," Jimmy Webber & the Sounds; "When It's Polka Time at Your House," Jimmy Sturr & His Orchestra.

Children: "Doc Watson Sings Songs for Little Pickers," Doc Watson; "How the Leopard Got His Spots," Danny Glover, narration, Ladysmith Black Mambazo, music; "The Little Mermaid" (various artists and songs from the motion picture), Roy Dotrice, narrator; "The Little Mermaid -- Original Motion Picture Soundtrack" (songs and instrumental score), Howard Ashman and Alan Menken, composers; "The Rock-a-Bye Collection--Volume Two," J. Aaron Brown and David R. Lehman, producers.

Comedy: "The Best of Bob & Ray: Selections From a Career, Volume 4," Bob Elliott and Ray Goulding; "The Best of Comic Relief '90," various; "Jonathan Winters Into the . . . '90s," Jonathan Winters; "More News From Lake Wobegon," Garrison Keillor; "P.D.Q. Bach: Oedipus Tex & Other Choral Calamities," Professor Peter Schickele.

Spoken or Non-Musical: " 'Diane . . . ' The Twin Peaks Tapes of Agent Cooper," Kyle MacLachlan; "Gracie: A Love Story," George Burns; "Jimmy Stewart and His Poems," Jimmy Stewart; "A Prairie Home Companion: The 4th Annual Farewell Performance," Garrison Keillor; "Profiles in Courage," John F. Kennedy Jr.

Musical Cast Show Album: "Anything Goes," John Frazer, album producer; "Black and Blue," Hugh Fordin, album producer; "City of Angels," Cy Coleman and Mike Bernicker, album producers, Cy Coleman, composer, David Zippel, lyrics; "Gypsy," John McClure, producer; "Les Miserables, the Complete Symphonic Recording," David Caddick, producer.

Instrumental Composition: "Change of Heart" (track from "Question and Answer"), Pat Metheny; "The Chief" (track from "Reunion"), Pat Metheny; "Going Home" (track from "Live"), Kenny G and Walter Aranasieff; "One Last Pitch" (track from "Lofty's Roach Souffle"), Harry Connick Jr. and Joe Livingston; "The Sinister Minister" (track from "Bela Fleck & the Flecktones"), Bela Fleck.


Instrumental Composition, Motion Picture or TV: "Dick Tracy Original Score," Danny Elfman; "Driving Miss Daisy: End Titles" (track from "Driving Miss Daisy Original Soundtrack"), Hans Zimmer; "Glory," James Horner; "The Little Mermaid: Original Motion Picture Soundtrack" (instrumental score portion of album), Alan Menken; "Soundtrack from 'Twin Peaks,' " Angelo Badalamenti.

Song, Motion Picture or TV: "Blaze of Glory," for "Young Guns II," Jon Bon Jovi; "Kiss the Girl," for "The Little Mermaid," Howard Ashman and Alan Menken; "More," for "Dick Tracy," Stephen Sondheim; "Sooner or Later," for "Dick Tracy," Stephen Sondheim; "Under the Sea," for "The Little Mermaid," Alan Menken and Howard Ashman.


Music Video, Short Form: "All I Want," Lightning Seeds, director Tarsem, producer Lexi Godfrey; "Another Day in Paradise," Phil Collins, director Jim Yukich, producer Paul Flattery; "Nothing Compares 2 U," Sinead O'Connor, director John Mayberry, producer Hugh Symmonds; "Oh Father," Madonna, director David Fincher, producer Tim Clawson; "Opposites Attract," Paula Abdul, directors Michael Patterson and Candice Reckinger, producer Sharon Oreck.

Music Video, Long Form: "Bernstein in Berlin Beethoven: Symphony No. 9," Leonard Bernstein, director Humphrey Burton; "Live: Featuring the Rock Opera 'Tommy,' " the Who, director Larry Jordan, producer Michael Pillot; "Please Hammer Don't Hurt 'Em, the Movie," M. C. Hammer, director Rupert Wainwright, producer John Oetjen; "The Singles Collection," Phil Collins, director Jim Yukich, producer Paul Flattery; "We Too Are One Too," Eurythmics, director Sophie Muller.

Arrangement, Instrumental: "Birdland" (track from "Back on the Block"), Quincy Jones, Ian Prince, Rod Temperton and Jerry Hey; "Born on the Fourth of July," John Williams; "Brush This" (track from "The Groove Shop"), John Clayton; "Monster Movie Music Suite" (track from "Mancini in Surround: Mostly Monsters, Murders and Mys"), Henry Mancini; "Tales of Daring, Chapters 1-4" (track from "Inside Out"), Chick Corea.

Instrumental Arrangement Accompanying Vocals: "Body and Soul," Tony Bennett, arr. by Jorge Calandrelli; "Come Sunday," Donna McElroy, arr. by Mervyn Warren and Cedric Dent; "Fumilayo," Dianne Reeves, arr. by George Duke; "The Places You Find Love," Siedah Garrett and Chaka Khan, arr. by Jerry Hey, Glen Ballard, Cliff Magness and Quincy Jones; "Recipe for Love," Harry Connick Jr., arr. by Mark Shaiman and Harry Connick Jr.

Engineered Recording (Non-Classical): "Back on the Block," Quincy Jones, eng. by Bruce Swedien; "Bedtime Stories," David Baerwald, eng. by Steve Chuchyard and Dan Marnien; " . . . But Seriously," Phil Collins, eng. by Hugh Padgham; "Holdin' a Good Hand," Lee Greenwood, eng. by Scott Hendricks; "Love Is Gonna Getcha," Patti Austin, eng. by Don Murray.

Producer: Glen Ballard; Phil Collins and Hugh Padgham; Mick Jones and Billy Joel; Quincy Jones; Arif Mardin.

Album Package: "Behind the Mask," Fleetwood Mac, art director Jeri Heiden; "Bossanova," Pixies, art director Vaughan Oliver; "Compositions," Anita Baker, art directors Carol Bobolts, Anita Baker and Jim Ladwig; "Days of Open Hand," Suzanne Vega, art directors Len Peltier, Jeffrey Gold and Suzanne Vega; "Songs for Drella," Lou Reed and John Cale, art director Tom Recchion.

Album Notes: "The Complete Galaxy Recordings," Art Pepper, notes by Gary Giddins; "The Chess Box," Bo Diddley, notes by Robert Palmer; "Brownie," Clifford Brown, notes by Dan Morgenstern; "The Jack Kerouac Collection," notes by David Perry; "The Chess Box," Muddy Waters, notes by Mary Katherine Aldin and Robert Palmer.


Historical Album: Symphonies 1-9 and "Leonore" Overture No. 3," Beethoven, producer John Pfeiffer; "Brownie," Clifford Brown, producer Kiyoshi Koyama; "The Jack Kerouac Collection," producer James Austin; "The Complete Recordings, Robert Johnson," producer Lawrence Cohn; "Aida," "Falstaff," Requiem, Te Deum, "Va,, pensiero," and "Hymn of the Nations," by Verdi; Arturo Toscanini, conductor; producer John Pfeiffer.

Classical Album: Adams, "Fearful Symmetries," "The Wound Dresser," John Adams, cond., Sanford Sylvan, baritone; "Carreras, Domingo, Pavarotti in Concert," Jose Carreras, Placido Domingo, Luciano Pavarotti, tenors, Zubin Mehta conductor, Christopher Raeburn, producer; Howard Hanson, Symphonies 3 and 6, "Fantasy Variations on a Theme of Youth," Gerard Schwarz cond., Carol Rosenberger, piano, Adam Stern, producer; Ives, Symphony No. 2, "The Gong on the Hook and Ladder (Fireman's Parade on Main Street)," "Central Park in the Dark," "The Unanswered Question," Leonard Bernstein, cond., Hans Weber, producer; "The Last Recording," Vladimir Horowitz, piano, Thomas Frost, producer; Rachmaninoff, "Vespers," Robert Shaw, cond., Robert Woods, producer.

Orchestral Performance: Beethoven, Symphonies No. 7 and No. 8, Sir Georg Solti, Chicago Symphony; Hanson, Symphonies No. 3 and No. 6, Gerard Schwarz, cond., Seattle Symphony; Ives, Symphony No. 2, "The Gong on the Hook and Ladder (Fireman's Parade on Main Street)," "Central Park in the Dark," "The Unanswered Question," Leonard Bernstein, cond., New York Philharmonic; Shostakovich, Symphonies No. 1 and No. 7, Leonard Bernstein, cond., Chicago Symphony; Shostakovich, Symphony No. 8, Leonard Slatkin, cond., Saint Louis Symphony.

Opera Recording: Mussorgsky: "Boris Godunov," Mstislav Rostropovich cond. National Symphony; soloists: Raimondi, Vishnevskaya, Gedda, Plishka, Riegel, Tesarowicz; Michel Garcin, producer. Prokofiev: "The Love for Three Oranges," Kent Nagano, cond. Orchestra of Opera de Lyon & Chorus; soloists: Bacquier, Viala, Gautier, Dubosc, Bastin; Arend Prohmann, producer. Verdi: "Attila," Riccardo Muti cond. Orchestra and Chorus of Teatro alla Scala, Milan; soloists: Ramey, Studer, Shicoff, Zancaro. David Groves, producer. Wagner: "Das Rheingold," James Levine, cond., Metropolitan Opera Orchestra; solos: Morris, Ludwig, Jerusalem, Wlaschiha, Moll, Zednik, Rootering. Cord Garben, producer. Weill: "The Threepenny Opera," John Mauceri cond. RIAS Berlin Sinfonietta Berlin; solos: Lemper, Kollo, Milva, Adori, Denesch. Michael Haas, producer.

Choral Performance (other than opera): Bach: "St. Matthew Passion," John Eliot Gardiner cond. Monteverdi Choir, London Oratory Junior Choir & English Baroque soloists; Handel: "Susanna," Nicholas McGegan cond. U.S. Berkeley Chamber Chorus, Philip Brett, choral conductor & Philharmonia Baroque Orchestra; Rachmanioff: "Vespers," Robert Shaw cond. Robert Shaw Festival Singers; Vaughan Williams: Symphony No. 1, Bernard Haitink cond. London Philharmonic Choir & Orchestra; Walton: "Belshazzar's Feast," Bernstein: "Chicester Psalms," "Missa Brevis," Robert Shaw cond. Atlanta Symphony Chorus & Orchestra.

Instrumental Soloists With Orchestra: Hanson: "Fantasy Variations on a Theme of Youth," Carol Rosenberger, piano (Gerard Schwarz cond. New York Chamber Symphony); Lazarof: "Tableaux (After Kandinsky)" Garrick Ohisson, piano (Gerard Schwarz cond. Seattle Symphony). Shostakovich: Violin Concerto No. 1, Glazunov: Violin Concerto, Itzhak Perlman, violin (Zubin Mehta cond. Israel Philharmonic); Stravinsky: Works for Piano and Orchestra, Paul Crossley, piano (Esa-Pekka Salonen conducting London Symphonietta); Trumpet Concertos by Haydn, Hummel, others, Rolf Smedvig, trumpet (Jahja Ling conducting Scottish Chamber Orchestra).

Instrumental Soloist Without Orchestra: Carter: "Night Fantasies," Adams, "Phrygian Gates," Ursula Oppens, piano; Debussy: 12 Etudes, Mitsuko Uchida, piano; "The Last Recording" (Chopin, Haydn, Liszt, Wagner), Vladimir Horowitz, piano; Mozart: Piano Sonatas K. 283, 331, 332, 333, Alicia de Larrocha, piano; Paganini: 24 Caprices, Midori, violin.

Chamber Music or Small Ensemble: Arensky: Piano Trio No. 2, Tchaikovsky: Piano Trio in A minor, Mona Golabek, piano, Andrea Cardenes, violin, Jeffry Solow, cello; Bartok: "Contrasts," Stravinsky, "L'Histoire du Soldat" Suite, Ives: "Largo, Songs," Richard Stoltzman, clarinet, Richard Goode, piano, Lucy Chapman Stoltzman, violin; Brahms: The Three Violin Sonatas, Itzhak Perlman, violin, Daniel Barenboim, piano; Crumb: "Black Angels," Tallis: "Spem in Alium," Marta: "Doom. A Sigh," Ives: "They Are There!," Shostakovich: Quartet No. 8, Kronos Quartet; Haydn: "The Seven Last Words of Christ," Juilliard String Quartet.

Vocal: Adams: "The Wound-Dresser," Sanford Sylvan, baritone; Berlioz: "Les Nuits d'Ete," Mahler: Five "Wunderhorn" Songs and Five Ruckert Songs, Jan DeGaetani, mezzo-soprano; "Carreras, Domingo, Pavarotti in Concert," Jose Carreras, Placido Domingo, Luciano Pavarotti, tenors.

Contemporary Composition: Adams: "The Wound-Dresser," John Adams, composer (Sanford Sylvan, baritone; John Adams, conductor; Orchestra of St. Luke's); Bernstein: "Arias and Barcarolles," Leonard Bernstein, composer (William Sharp, baritone; Judy Kaye, mezzo-soprano; Michael Barrett and Steven Blier, pianos); Lazarof: "Tableaux (After Kandinsky)," Henri Lazarof, composer; (Garrick Ohlsson, piano; Gerard Schwarz, conductor; Seattle Symphony); Riley: "Salome Dances for Peace," Terry Riley, composer (Kronos Quartet); Zwillich: Symphony No. 2. Ellen Taaffe Zwillich, composer (Lawrence Leighton Smith, conductor; Louisville Symphony).

Engineered Recording: Crumb: "Black Angels," Tallis: "Spem in Alium," Marta: "Doom. A Sigh," Ives: "They Are There!," Shostakovich: Quartet No. 8, (Kronos Quartet), Judith Sherman, engineer; Mahler: Symphony No. 8 (Lorin Maazel, cond. Vienna Philharmonic; Vienna State Opera Chorus; Vienna Boys Chorus; ORF Chorus and Arnold Schoenberg Choir), Bud Graham, engineer; Rachmaninoff: "Vespers" (Robert Shaw cond. Robert Shaw Festival Singers), Jack Renner, engineer; Shostakovich: Symphonies Nos. 1. and 7 (Leonard Bernstein cond. Chicago Symphony), Karl-August Maegler, engineer; Shostakovich: Symphony No. 8 (Leonard Slatkin cond. St. Louis Symphony Orchestra), William Hoekstra, engineer.

For the Record Los Angeles Times Saturday January 12, 1991 Home Edition Calendar Part F Page 9 Column 1 Entertainment Desk 1 inches; 22 words Type of Material: Correction Grammy nominations--Quincy Jones received six Grammy Award nominations on Thursday and M.C. Hammer five, one more each than reported in Friday's Calendar. For the Record Los Angeles Times Tuesday January 15, 1991 Home Edition Calendar Part F Page 6 Column 3 Entertainment Desk 1 inches; 20 words Type of Material: Correction In Friday's Calendar Producer Narada Michael Walden's name was omitted in the Record of the Year category for Mariah Carey's "Vision of Love." For the Record Los Angeles Times Tuesday January 15, 1991 Home Edition Calendar Part F Page 6 Column 3 Entertainment Desk 1 inches; 35 words Type of Material: Correction Misidentified--Two nominees for the Grammy award in the Tropical Latin category in Friday's Calendar should have read: "Lambada Timbales" (track from "Goza Mi Timbal"), Tito Puente and "Mama Guela" (track from "Chile Con Soul"), Poncho Sanchez.
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