Before Taylor Swift rolled out ‘Father Figure,’ George Michael’s estate gave her props
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- George Michael’s estate endorsed Taylor Swift’s interpolation of his 1987 hit “Father Figure” for her new album “The Life of a Showgirl.”
- Swift’s version appears to reference her tumultuous relationship with former music executive Scott Borchetta and Big Machine Records.
- The song shifts perspective from mentor to protégé, with lyrics suggesting a bitter fallout over master recording ownership.
On the eve of the release of her 12th album, Taylor Swift received a thank-you note from George Michael’s estate for including his work in her version of “Father Figure.”
“When we heard the track we had no hesitation in agreeing to this association between two great artists and we know George would have felt the same,” the “Freedom!” singer’s estate posted Thursday on X.
The pop superstar follows up last year’s messy ‘The Tortured Poets Department’ with a tidy collaboration with Max Martin and Shellback.
Taylor’s take on “Father Figure” incorporates an interpolation of Michael’s 1987 song from his album “Faith.”
Both songs share a common thread of telling the tale of a specific relationship. In a 1987 interview with ET, the former Wham! singer turned solo star — who died over the Christmas holiday in 2016 — vaguely discussed the meaning behind his track.
“‘Father Figure’ is just a very, without going into too much detail, it’s just a very specific experience that I wrote about a specific relationship with one person,” Michael said.
“I think there’s a definite pattern in people’s lives where they move away from their parents, then they spend time on their own and then they look for that replacement,” he added.
Taylor Swift reveals the release date for her album ‘Life of a Showgirl’ as she appears on Travis and Jason Kelce’s ‘New Heights’ podcast.
Similarly, the fourth song on Swift’s album “The Life of a Showgirl,” which was released on Thursday, tells the experience of a specific relationship between a mentor and his protégé.
Hmmm. Who could it be? Are the lyrics imaginative or are the details too specific to brush off as fiction? Let’s dissect.
Swift opens her track with: “When I found you, you were young, wayward, lost in the cold / Pulled up to you in the Jag’, turned your rags to gold.”
There is one person who turned her into the gold standard of pop — music executive Scott Borchetta, who signed her to his Big Machine Records label back in the day.
Swift says that the owners of her catalog are prohibiting her from performing her old hits on the American Music Awards and in a Netflix documentary.
Swift worked with Borchetta on her first six albums until she wanted to buy her master recordings from the label, which led to the end of their partnership.
The song initially takes the perspective of the mentor who sees potential, profit and the opportunity to be a father figure for the protégé. In the tail end of the track, the point of view changes to the other side.
“You want a fight, you found it / I got the place surrounded / You’ll be sleeping with the fishes before you know you’re drowning.”
Again, the details seem too specific to write it off as pure fiction, but Swifties may have to stick to speculation unless Swift goes on the “New Heights” podcast to discuss the meaning behind her lyrics with her future husband, Travis Kelce, and soon-to-be brother-in-law, Jason Kelce.
Don’t hold your breath — there’s probably a better chance she releases a new version of “Life of a Showgirl” first.
