The Hammer Museum’s sixth biennial survey, offering hugely diverse work made by the show’s 39 artists, is marked by the pandemic catastrophe and materiality.
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AMBOS (Art Made Between Opposite Sides), a collective that connects with border communities to address issues of immigration with craft, displays ceramics made at the border as part of the Hammer Museum’s ‘Made in L.A.’ biennial.
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Even contracts that win over the most skeptical writers and actors won’t be able to fix some of the biggest fractures facing the industry today.
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