In a year in which many big-ticket records have stressed brevity and focus, there’s something to be said for New Zealand pop iconoclast Kimbra’s “The Golden Echo.”
Best known in America for her vocals on the smash “Somebody That I Used to Know,” the magnetic multi-instrumentalist on her second solo album moves through a strange and often surprising set of tones and approaches. A virtual layer cake of futuristic funk pop, contemporary R&B and maximalist Top 40 music slathered with the purple icing of Prince, “The Golden Echo” swaps styles with gleeful — and at times reckless — abandon, an apt pop offering for this pattern-on-pattern cultural moment.
A remarkable chameleon, at various points Kimbra swings her voice to suggest Chaka Khan, Amy Winehouse, The xx’s Romy Madley Croft and Janelle Monae, and weaves her tone through music thick with structural experimentation. “Waltz Me to the Grave” is a hazy seven-minute jam suggestive of Erykah Badu; “As You Are” is a beguiling, richly composed ballad featuring arrangements by Van Dyke Parks. Bonus track “Sugar Lies” is like if Kimbra hitched a ride on George Clinton’s mothership.
Mixed in, though, are enough squeaky clean ditties to suggest fiddling from label reps who heard the first draft freakouts and demanded easier hits like “Love in High Places” and “Nobody But You.” The latter, a middling stab at pop ubiquity, drops the album’s IQ by a few points. A guest turn from John Legend shouldn’t be surprising, especially considering that by the time it rolls around, we’ve been prepared for some whiplash.
The Golden Echo
Three stars out of four