Robert Abele

Hirokazu Kore-eda transcends place and language with Paris-set “The Truth,” starring Catherine Deneuve, Juliette Binoche and Ethan Hawke.

After his 1961 directorial debut “I Like Money” bombed with audiences, Peter Sellers pulled the film from circulation; now it’s back as “Mr. Topaze.”

Stephanie Turner’s directorial debut “Justine,” about a young widow working as a nanny for a girl with spina bifida, is an adroitly contained indie that’s worth your attention.

The doo-wop documentary ‘Streetlight Harmonies’ covers the Ink Spots, Little Anthony and the Imperials and countless other stars of the 1950s and ’60s.

The documentary ‘Kill Chain: The Cyber War on America’s Elections,’ directed by Simon Ardizzone, Russell Michaels and Sarah Teale, reveals that electronic voting is still woefully unsafe.

Adam Bolt’s documentary “Human Nature” explores the possible benefits and potential risks of genetic engineering.

Sophie Lowe and Morgan Saylor star in “Blow the Man Down” as two young women trying to cover up a crime in a small Maine fishing village.

Thomas Heise’s cinematic essay ‘Heimat Is a Space in Time’ follows his family through the upheavals of 20th century German history.

Anthony Mackie and Samuel L. Jackson star in ‘The Banker’ as two businessmen challenging racial limitations to help underserved African American communities in the 1960s.

“Sorry We Missed You,” Ken Loach’s latest socially conscious drama, focuses on the struggles of a delivery driver and his wife to survive in Britain’s gig economy.