Robert Lloyd has been a Los Angeles Times television critic since 2003. Previously, he held that position at L.A. Weekly, whose music editor and critic he also was for some years, and was the author of the Today column at the late Los Angeles Herald-Examiner. His oral history of “Freaks & Geeks” appeared in the January 2013 issue of Vanity Fair. Sometimes, usually after dark, he masquerades as a musician (credits available on request).
Latest From This Author
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She embraced the rude, the weird, the mad. Jessica Walter, always adventurousness in her acting roles, died Wednesday at 80 but left an indelible mark on TV and film.
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Victorian street kids get mixed up with Dr. Watson and Sherlock Holmes in a Netflix YA series with supernatural overtones.
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Starring Cynthia Erivo, the new season of National Geographic’s anthology doesn’t quite ‘explain’ Franklin’s genius. But it will remind you of it.
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A product of the Obamas’ Netflix deal, “Waffles + Mochi” resembles many other food and travel shows. But for kids. With a first lady. And puppets.
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From George Reeves to the new “Superman & Lois,” the superhero and his alter ego, Clark Kent, have thrived most on TV’s patient character development.
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Despite the best efforts of Tina Fey and Amy Poehler, their generation’s Hope and Crosby, the 2021 telecast couldn’t shake its limitations.
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With the classic “The Muppet Show” now streaming on Disney+, Times TV critic Robert Lloyd explains the meaning and majesty of Jim Henson’s iconic creations.
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Alongside “The Muppet Show’s” Disney+ debut, TV critic Robert Lloyd lists the most important (non-Muppet) puppets in TV history, from Howdy Doody to Baby Yoda.
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Though inspired by Jonathan Demme’s Oscar winner, CBS’ latest, with Rebecca Breeds as Agent Starling, finds its stride on more modest terrain: as a cop show.
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The series, whose fourth season is now streaming on Netflix, shares some of the same allure as ‘Lupin’ and ‘Emily in Paris.’ But with more delicious results.