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The Times podcast: LAPD’s crowd-control tactics under increasing controversy

Protesters show bruises they say were caused by sheriff's deputies
At a news conference in September 2020, people display bruises they say were caused by sheriff’s deputies at an earlier protest.
(Carolyn Cole / Los Angeles Times)

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For the record:

11:46 a.m. May 20, 2021An earlier version of the introduction to this post said that a federal injunction would temporarily ban the LAPD from using less-lethal weapons. The injunction would temporarily restrict the LAPD’s use of such weapons.

This last year, we’ve seen multiple rallies in Los Angeles — organized by Black Lives Matter, against the clearing of a homeless encampment in Echo Park, in celebration of the Dodgers’ World Series win. Each one of these events was for a different cause but they ended in the same way: with the Los Angeles Police Department coming in, declaring an illegal gathering and clearing the crowds with tactics that many activists have deemed heavy-handed and violent. Frequently the police also fired hard foam projectiles. In some cases, the protesters and reporters covering these events were arrested and even shot with these projectiles, with police alleging various offenses. The police contend that the people assembled at these rallies failed to follow orders.

Today, we talk to freelance journalist Lexis-Olivier Ray about what it’s been like to cover these protests and to L.A. Times reporter Kevin Rector about a federal injunction that would temporarily restrict the LAPD’s use of less-lethal weapons.

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Host: Gustavo Arellano
Guests: Freelance journalist Lexis-Olivier Ray and L.A. Times police reporter Kevin Rector

More reading:
‘The Scariest Days of My Life:’ As a Black Journalist, Covering Civil Rights Protests Has Been Harrowing
Judge grants preliminary injunction limiting LAPD projectile weapons at protests
Photojournalists sue LAPD, L.A. County sheriff over alleged abuses at protests

About The Times

“The Times” is made by columnist Gustavo Arellano, producer Shannon Lin, senior producers Steven Cuevas and Denise Guerra, executive producer Abbie Fentress Swanson and editor Julia Turner. Our engineer is Mario Diaz and our theme song was composed by Andrew Eapen.
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