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Best Acoustic Guitars for Any Musician

  1. Sunlite GD-1800 Acoustic Guitar
  2. Pyle Classical Acoustic Guitar
  3. Guild Guitars D-240E Acoustic Guitar
  4. Sigma Acoustic Guitar
  5. Collings OM1 Acoustic Guitar
  6. Fender A-15 3/4 Scale Kids Steel String Acoustic Guitar
  7. Buyer's Guide

The acoustic guitar provides the most no-frills experience for guitarists. Forget having to pick up cables, amplifiers, pedals, pre-amps, and other accessories, and devices, an acoustic guitar is your one-stop shop for just picking up an instrument and playing music. These best acoustic guitars in 2022 can be used as a writing tool at home, a piece of a composition in the recording studio, or as a means to play music onstage, at the beach, in the park, or on a rooftop. There are a ridiculous amount of acoustic guitars available on the market for guitarists of all sorts of styles and skill levels, and it can get a little overwhelming when trying to find the right one. Fortunately, we’ve compiled some things to keep in mind in our acoustic guitar buyer’s guide below.

What is the best acoustic guitar of 2022?

best Sunlite GD-1800 Acoustic Guitar

Sunlite GD-1800 Acoustic Guitar - Best Acoustic Guitar Overall

It's hard to go wrong with a Sunlight. These instruments produce a high level of tone quality in comparison to their price. With balanced sound production, a powerful ability to project, and easy playability, it wins the best pick on our list for its amazing bang for the buck value. With a spruce top, basswood back and sides, and mahogany neck, the dreadnought body allows for effortless projection. It plays well with a range of different strings, but is well-suited by nano web-coated, bronze Elixir strings. The 1800 series offers a reliable tone, with high quality fittings which include a rosewood bridge.

Pyle Classical Acoustic Guitar - Solid Grip

Pyle gives you an acoustic guitar set that comes with all you need to start playing. The guitar comprises various accessories, including a gig bag, a digital tuner, extra strings, a cleaning cloth, and a removable shoulder strap. The beginner-level classical guitar has a linden wood body, a dyed maple wood fretboard, a birch headstock, a blue burst pattern design, a high-gloss polished body back with protective binding, and chrome three-in-line machine heads. A guitar with a classic body design would be ideal for a kid or beginner to learn. Its antique appearance and feel make it a standout among classical guitars. In addition, the guitar's grip is so firm that you may never have experienced anything like it.

Guild Guitars D-240E Acoustic Guitar - Runner Up

The Guild GAD series D-125 is an incredibly versatile acoustic guitar with a tone that’s simultaneously even and uncommon. The opulent, rich bass notes match well with a lighter top register, combining to produce a sound that plays well in virtually any genre. Chrome hardware and solid mahogany make for a sturdy instrument which will only mature in quality over time.

You may want to replace the D'AddarioCoated Phosphor Bronze with a lighter set to compliment the instrument's natural strengths. The manufacturers production methods aren’t entirely standardized with this instrument, so it's suggested you're able to play the guitar beforehand or you’re able to easily return it if needed.

best Sigma Acoustic Guitar

Sigma Acoustic Guitar - Honorable Mention

Similar to the Guild GAD in both price and solid mahogany construction, the Sigma DM-15 distinguishes itself with a gorgeous finger picking sound. This versatile guitar is incredible easy to play in a plethora of genres. The reliability it provides lends itself well to finger picking as well as full-bodied chords. It carries a characteristic moodiness and maturity not easily found with sleek looks to match. The flamed varnish and unassuming features contribute to a deeply polished final product.

best Collings OM1 Acoustic Guitar

Collings OM1 Acoustic Guitar - Consider

Though Colling's relatively shallow body depth of four inches limit its volume production in a un-mic setting, it makes up for lack of depth with excellent responsiveness and consistency. Overseen by luthier Bill Collins, Collings has set the bar high for small factory production, and the OM1 certainly meets the high criteria. While other similarly priced instruments are specialized for a specific environment, this instrument provides a homogeneous and dependable sound across multiple genres.

The higher pitches are clear and bright without pulling too far away from the lower tones. With specs like a mortise and tenon hybrid neck joint, ebony bridge pins, and scalloped bracing, this guitar is built to last. The basic features can be highly customized with buyers selecting what spruce they'd like the top made out of, which bracing is utilized, nut width, and more. Certain aesthetic decisions can also create a thoroughly unique instrument, like the Gold Waverly tuners option and various peg head inlay designs.

Fender A-15 3/4 Scale Kids Steel String Acoustic Guitar - Best Acoustic Guitar Overall

This guitar offers high quality performance which certainly exceeds its low cost. It has the guts and structural capabilities to battle it out with much more expensive instruments, being built from a Rosewood derivative, sonokeling wood fingerboard, as well as spruce and mahogany tonewoods. The no-nonsense details can be easily upgraded for a more personal appearance, and the accompanying strings can be quickly replaced with a higher end, brighter set to complement the deep resonant power of the CD-60. These small upgrades will only augment an already reliable and high-quality instrument.

Buyer's Guide

Every acoustic guitar has its own personality, so finding the right one can be an arduous task – but there are certain questions you can ask yourself in order to help narrow your search. Are you just starting out, or a seasoned pro? What style of music do you intend to play with it? Is this guitar meant to be played in a pristine and immaculate recording or home environment? Or are you going to be carrying your axe around on your back wherever your path may take you?

But perhaps the most important question to ask yourself when considering whether or not the guitar you’re holding is the one that you want to buy is a very personal inquiry: do I like the way this acoustic guitar feels? It’s a very personal choice that can’t be determined by anyone but the guitarist, so be sure to test your options out for yourself before making a decision. Before you get to that point, here are a few things to know about buying acoustic guitars.

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Body Style


Classic body style acoustic guitars offer a generally balanced tone and a medium amount of sound projection. This type of guitar is a safe go-to for a variety of styles, and for this reason it is used both by players who favor intricate fingerpicking as well as those who tend to play with broader strumming techniques.


Dreadnought guitars tend to produce a deeper and more bass-heavy tone. They also tend to sound louder than the classic style body acoustic guitar. Because they have a heavy, driving aesthetic, they are popular amongst guitarists who utilize heavy strumming techniques.


Jumbo guitars are something of a hybrid of the previous two styles – wherein the body is similar to that of a classic guitar while the sound hole is more akin to that of a dreadnought acoustic guitar. These guitars are ideal for players who play standing up, as they can sometimes be uncomfortable to sit in one’s lap.

Acoustic Guitar Parts


The neck is one of the more easily identifiable pieces of the acoustic guitar. This area is where the instrument is held, it houses the frets that enable players to play notes, and it obviously also displays the strings.


Intonation is the system by which an acoustic guitar’s notes play in tune as the player moves up the fretboard of the neck. Without proper intonation, a guitar won’t stay in tune and is useless for both live performance and recording.


An acoustic guitar’s rosette is a stylized inlay located near the soundhole of the instrument. While the rosette has little to no impact of the sound of an acoustic guitar, it does change the visual appearance and character of the instrument.


The bridge is the small wooden piece located directly below the soundhole of an acoustic guitar. This piece anchors the strings and transfers their vibration to the soundboard of the instrument.


An acoustic guitar’s frets are the small metal strips that divide the neck and fretboard into smaller sections. These frets are carefully measured into half-step increments and consequently enable guitarists to play different notes on their instrument.


The fingerboard is also referred to as the fretboard; it is the piece that is glued to the face of the neck and houses the frets that are divided by half-step increments.

Tuning Keys

The tuning keys are the small knob-like pieces located at the top of the acoustic guitar on the instrument’s headstock. By tightening and loosening the tuning keys, guitarists raise or drop the pitch of the strings, effectively tuning the guitar.


The headstock is located at the top of the guitar. Its primary function is to hold the tuning keys.

Machine Head

A machine head is an alternate term for the tuning key. These are also sometimes referred to as tuning pegs or tuners.


An acoustic guitar’s binding is utilized to compliment the look of the instrument’s body, neck, and/or headstock. Typically comprised of wood or plastic, this component doesn’t do much to affect the sound of the guitar, but gives it stylized character.


As its name implies, the pickguard is designed to help protect the body of the acoustic guitar from any wear-and-tear that would occur from strumming and picking at strings. It is located below the soundhole.


An acoustic guitar’s finish is another name for the final coating that is applied to the surface of the instrument.


Tops are generally made in one of two different types of builds: solid wood or laminate. The former is built from two single-ply pieces of wood that meet down the middle of the guitar top. This configuration is great for vibrating and resonating the sounds that are produced by the guitar.

Laminate tops are made from several layers of wood that are stacked on top of each other. While laminates don’t produce as great of a tone as solid wood tops, they are less expensive and therefore ideal for guitarists who are just starting out and are trying to make their purchase under a limited budget.



Cedar tends to produce a brighter and more trebly tone. Because of its quick response, many players who favor fingerstyle picking prefer to play cedar tonewood instruments.


Spruce is generally regarded as the standard for acoustic guitar tops. It provides excellent resonance and is responsive to a high velocity of sound.


Mahogany and kao emphasize more of the mid-range/low-end side of the spectrum when it comes to acoustic guitar sounds. Its “punchy” tone has made it an ideal choice for country and blues players.


Maple has a low response rate and internal damping, so it is generally only used for the side and back of acoustic guitars, as opposed to the top. Its dry and high-end favoring tone makes it an excellent axe for musicians playing live with other instruments, as it tends to cut through the mix with greater ease than other types of acoustic guitars.


Rosewood provides strong mid and high tones and is one of the more popular woods used on acoustic guitars. With a strong attack and sharp resonance, it is also used frequently for bridges and fretboards.

String Types

Steel Strings

Steel strings are generally used in genres such as rock, country, and folk. Bronze, phosphor bronze, and brass all fall under the broader umbrella of steel strings.

Nylon Strings

Classical acoustic guitars utilize nylon strings, which are better suited for the classical and flamenco style that these instruments are most commonly used for.

It’s important to not interchangeably swap guitar strings with instruments that they are not designed for. For instance, putting steel strings on a classical guitar that is designed for nylon strings can do serous damage to the body, as the neck of classical guitars are unable to handle the tension brought about by using the steel strings.

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