Ry Rocklen's sly sculptures: There's more than what you might see at first
By Sharon Mizota
Sep 16, 2016 | 10:10 AM
There is a seemingly alchemical magic to Ry Rocklen’s sculptures at Honor Fraser. The process by which one thing becomes or reveals another is a central theme of the L.A. artist’s recent work.
This is particularly evident in four wall-mounted sculptures in the first room. They are ceramic objects, each cut into horizontal slices. Each slice is displayed on a glass shelf with a mirrored backing, the slices aligned to reconstitute the whole. On their front sides, they are flat and bear a photographic image; on their backs they are three-dimensional, but this surface is really visible only as reflected in the mirrors.
This optical confusion is increased by incongruity between front and back. “Bottled Up” depicts a smashed plastic water bottle on its flat side and a sculpture of a man on its back. Perhaps most affecting is an image of a battered chest of drawers that reveals a beautiful, ornate doll’s house behind. It’s like a glimpse into the secret lives of discarded objects — magic hidden in the trash.
In a more traditional sculptural vein, Rocklen has inserted dollar bills stiffened with sand into the metal mesh surface of a public trash can. The bills form a protective shell, like dragon scales, as their faces are reflected in the can’s mirrored bottom. Living one dollar at a time, building up armor, gazing into the bottom of a trash can — these are ideas that become a surreal metaphor for life on the streets.
Where: Honor Fraser, 2622 S. La Cienega Blvd., Los Angeles