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Today's Headlines
Cinematographer Jarin Blaschke kept the lighting realistic to ground the ominous wildness of “The Lighthouse.”
Director Bong Joon Ho takes on the global class divide in the family story ‘Parasite,’ a thriller tinged with emotion.
Actress Da’Vine Joy Randolph had to turn to her father to get insights into the little-known comic she portrayed in Eddie Murphy’s ‘Dolemite Is My Name’
In playing Sen. Dianne Feinstein, Annette Bening keyed in on the truth of ‘The Report,’ about the fight to reveal the CIA’s post-Sept. 11 torture program.
Tracy Edwards and documentary director Alex Holmes share stories from “Maiden” at the Envelope Live Screening Series in Hollywood.
Roundtable discussions
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Showrunners: How to choose a project and end a series
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Video: What scared Jodie Comer about her ‘Killing Eve’ role?
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Video: Patricia Clarkson approaches her ‘Sharp Objects’ character with ‘no judgment’
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Comedy: TV is in a funny place, and it’s worth the risks
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Drama: Leaving your comfort zone for weirder places
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Director Lauren Greenfield talks about her new documentary “The Kingmaker,” about Imelda Marcos, the controversial former first lady of the Philippines. -
Even with Brad Pitt’s pitiful dinnertime preparation of mac & cheese, the edge goes to Quentin Tarantino’s “Once Upon a Time ... in Hollywood.”
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‘The Cave,’ ‘Apollo 11,’ ‘Honeyland’ and ‘Sea of Shadows’ explore vastly different worlds with equal intensity
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Filmmakers examine China’s restrictive past and to come realize there were victims on both sides of its cruel one-child policy.
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Bring on Quentin Tarantino as overlord/director of the Academy Awards. There’d be plenty of his trademarks — swords, whips and misfits. Goons and vixens would find ways to triumph despite questionable social skills.
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Taika Waititi is soft-spoken and polite as he closes the blinds in this Four Seasons suite, takes off his shoes to reveal brightly colored socks and stretches out on his side along the couch.
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Petra Costa’s documentary ‘Edge of Democracy’ tracks her native Brazil’s slide toward far-right populism.
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Documentary ‘American Factory’ goes inside a Chinese-owned glass company in Ohio, where workers mix cultures.
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Actor-director Edward Norton called on jazz great Wynton Marsalis to work on “Motherless Brooklyn.” Then he brought in Thom Yorke and Daniel Pemberton to top it off.
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The quantity of film roles for women may not have grown much, but the quality is making major strides.
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“The Irishman” vs. “Once Upon a Time … in Hollywood.” It’s Scorsese vs. Tarantino. DiCaprio vs.
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‘Waves,’ director Trey Edward Shults’ ‘deeply, deeply personal story,’ bonds its actors through its depiction of family trauma and redemption
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Lupita Nyong’o lives in a world of yes.
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Taron Egerton uncovers Elton John’s duality in the wildly inventive musical biopic ‘Rocketman’
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Renée Zellweger is making her way through a bowl of potato chips in the lobby of Casa del Mar, the beachfront Santa Monica hotel she used as an office for a couple of years while she was developing a television series, “Cinnamon Girl,” about four young women coming of age in Los Angeles in the late ’60s.
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Elizabeth Banks’ Kristin Stewart-starring reboot of venerable TV series “Charlie’s Angels” is a disappointment.
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In the second “Sonic the Hedgehog” sneak peek, the speedy blue creature has less obvious teeth, but the trailer has more bite.
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Phillip Youmans and Ava DuVernay on “Burning Cane,” the 19-year-old director’s feature debut about religion and toxic masculinity in the Southern Baptist church
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