Welcome to two hours of sparkling entertainment spread out over a four-hour show.
A lot has changed since Johnny did the Oscars. Back then, people were allowed to make acceptance speeches that went on for days. There were none of those annoying musical playoffs after two minutes that cut into the generic Id like to thank my agent... acceptance speeches. No one in those days would ever have asked, Who are you wearing? It would be more like, What the hell are you wearing? There were no stylists, and actors picked their own clothes. Weve lost the cherished Oscar tradition of letting winners unabashedly make fools of themselves. Thats why Ill always miss the good old days.
The Oscars has never been easy for comedians to host, because as the show goes on theyre playing to an audience of mostly disgruntled losers who are tired and want to go home. So as Rodney Dangerfield would say, pulling at the collar of his shirt, Tough crowd. Carsons first hosting of the Oscars was controversial. The older Academy members were used to Bob Hope, who, at the very least, had done films. Johnny, on the other hand, was TV. But he soon made the show his own by doing it in his totally irreverent style:
One of the nominated films is The Black Hole. A black hole is an empty void in which anything that enters is never seen again. Those of you in the business know it as the William Morris Agency.
What Carson had was perfect pitch. He knew exactly how far to go with an audience and whether a line was right for them or not. He knew exactly how much the audience could take. One time when I was on The Tonight Show, I did a piece about Nixon selling his tapes. At the commercial break, Johnny said, You know, youre ahead of the audience with that. I asked, Does it bother you? and he said, No, not at all. Its just that the audience isnt ready to hear that yet. As I drove home, I realized he was telling me that being ahead of or behind the audience is really the same thing. Where you need to be is right with them.
Johnny had two favorite writers. Mike Barrie and Jim Mulholland started with Johnny on The Tonight Show in 1968 and 1970, respectively, and wrote with him until the last week he was on the air in 1992. They worked on all five of his Oscar monologues and most of the awards shows running jokes. They were backstage at the Oscars in case an accidental breast fell out of Raquel Welchs gown, so they and Johnny could come up with a line or two about it on the spot. Barrie remembered well the first Oscar show they did. Seeing Johnny pacing up and down backstage, It looked like he just wanted to get in his car and drive home. In all the years we had worked with Johnny, I had never seen him really nervous before a show. So this scared the hell out of both of us and turned us into total wrecks. Johnnys attitude was that four hours is just too long for anything. He wanted to be edgy like he was when he hosted the Emmys, and he wanted to go as far as he could and not worry about what the old-timers would say.
I see a lot of new faces here, especially on the old faces.
Charlton Heston is the only actor besides Warren Beatty who all of Hollywood has known in the biblical sense...
After getting big laughs through the entire monologue, Johnny walked offstage with a big smile on his face and said, From here on in, its going to be a cakewalk.
I asked Barrie and Mulholland what was the most difficult Oscar show they did, and Barrie said, We prepared a lot of material on Ronald Reagan, and Johnny had as well. Half the monologue was Reagan jokes. I called Jim and said, You better turn on your TVPresident Reagan was shot, and hes in the hospital. So right before the Oscars, the Academy was thinking of postponing the show. Then we heard that Reagan was okay. And we had no idea what Johnny was going to do. They decided to do a live feed from Reagans hospital bed.
Reagan cut $85 million from the arts and humanities. This is his biggest assault on the arts since he signed with Warner Brothers.
And then Carson added:
That should get him up and out of bed.
It was a perfect example of knowing exactly what the audience could hear and when. Not ahead of them, not behind themjust with them. Everyone was glad Reagan lived. But no one was more concernedbesides the family, of coursethan the two comedy writers who had written almost all of the Reagan jokes for the Oscar monologue. Its weird to say out loud, but that does go through your head, Mulholland said.
When Barrie and Mulholland were doing the Oscars, they knew it was different from anything they had done, because they were wearing tuxedos and were there for the whole thing just in case they had to add a line or two for anything that happened spontaneously during the show. They worked in a closet-size room on the side of the stage that, in addition to the two writers, had a full-length mirror so people could see themselves before they went onstage. It was a little hard to concentrate with Kim Novak and Natalie Wood coming in to check out their gowns, recalled Barrie. But they remember Johnny telling them they had the best seats in the house.
To Johnny Carson, there was nothing funnier than his friends trying but not getting laughs while sitting next to him on The Tonight Show. In fact, he told Bob Newhart and me that the reason he had us on so much is he loved when we bombed as much as when we succeeded. Of course, he would always get the biggest laughs rescuing us.
On The Tonight Show, if a joke didnt work with the audience, his amazing wit would kick in with a perfect ad-lib about the joke that just bombed, or he might break into a soft-shoe, or hed pause, Jack Benny-like, and acknowledge right into the camera the jokes failure. In the end, Johnny always made sure he got his laugh. That was the main thingthe audience should laugh. But he felt these savers werent appropriate for the formality of the Oscars.
Mulholland and Barrie remembered one runnerrunning jokethat started when a producer came to them during the show, all upset: Alan Splet is not showing up tonight...hes having car trouble. And Johnny said, Whos Alan Splet? Hes getting a special award for sound editing, the producer said, and Johnny deadpanned, There goes the show. So then we all started writing jokes about what happened to Mr. Splet and why he wasnt going to show up. Johnny made it into a great gag all night.