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Eadweard Muybridge
Review: It takes real drive to see 3-part John Divola retrospective
Review: It takes real drive to see 3-part John Divola retrospective

Are photographers vandals? Does the mere presence of a camera at an ordinary place or extraordinary event inevitably damage the experience of it, as vandalism does? Is photography a powerful creative tool for the willful destruction of established art, all in the service of making new possibilities and unexpected ways of seeing? These questions, provocative and surprising, began to be posed in 1974 by artist John Divola, then 25 and just out of school. Born and raised in the San Fernando Valley, an area whose wholesale transformation from rural to suburban shifted into overdrive after World War II, during his youth, Divola studied first at Cal State Northridge and then UCLA. "John...

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