Entertainment & Arts
Erich Korngold brought music to Hollywood in film scores, his ‘opera without singing.’
Dec. 28, 2007
Korngold: Arias and Duets.
Jan. 6, 1991
Yes, Erich Wolfgang Korngold wrote wonderful film scores.
Feb. 9, 2001
An entire evening of art songs by Kurt Weill and Erich Wolfgang Korngold demands the knack of a particular specialist.
May 8, 1990
When Erich Wolfgang Korngold’s Violin Concerto first reached the West Coast in January 1953, The Times’ music critic, Albert Goldberg, called the 8-year-old work “genial” and a “grateful parade of melodies and effects,” and wrote that it was “pleasant to hear music that makes no particular strivings for profundity.”
July 19, 1997
Rumbling opera singers, a hotshot teen violinist and some radiant rarities are among the highlights.
May 30, 1999
Four years before Erich Wolfgang Korngold came to Hollywood to work on Max Reinhardt’s “A Midsummer Night’s Dream,” he wrote his 45-minute Suite, Opus 23 for piano left hand, 2 violins and cello.
May 19, 1992
Give ‘em film music and they will come.
March 7, 1997
Works by Viennese composers, works markedly different from each other but exhibiting more than a little of the musical lilt associated with that Austrian city, filled the Mark Taper Forum at the Music Center on Sunday morning.
Sept. 26, 1989
Soprano Margaret Morrison, pianists Leonard Stein and Delores Stevens and the Southern California Choral Society, conducted by Nick Strimple, are the performers at a concert featuring music by Viennese artists in exile, to be given tonight in Gindi Auditorium at the University of Judaism.
May 28, 1992