Can the gnarly, rhythmically complex, densely scored works of 20th century iconoclast Ives be transformed for large jazz ensemble? The task may seem formidable, but arranger Cooper accomplishes it brilliantly, applying a jazz aesthetic to Ives classics and lesser known fare. (Zbigniew Bzdak / Chicago Tribune)
Tribune’s Howard Reich picks the best jazz albums of 2014.
The Miles Davis-Gil Evans landmark “Sketches of Spain” broke new ground in orchestral jazz, and trumpeter Orbert Davis (no relation) builds significantly on that foundation with this exquisitely detailed recording. (Antonio Perez / Chicago Tribune)
The immensely creative pianist Werner may not receive the attention he deserves, but “Coalition” reminds listeners of his wide-ranging interests. (Zbigniew Bzdak / Chicago Tribune)
Violinist Carter long has thrived in stretching the definition of jazz, and in “Southern Comfort” she explores a particular aspect of her musical roots: the milieu of her paternal grandfather, who was born in 1893. (Armando L. Sanchez / Chicago Tribune)
Perhaps no jazz album this year carried a more appropriate title than this, Bollani’s pianism a balm in a troubled world. Here are unmistakably melodic compositions that never descend into glib sentimentality. (Zbigniew Bzdak / Chicago Tribune)
