Petra Cortright's works at 1301PE are like touch-screen paintings.
Llyn Foulkes bleak paintings display "Old Man's Blues."
Jim Isermann's new sculptures at Richard Telles Fine Art look like crates the sculpture might come in.
The largest retrospective since the 1960s of the Hungarian American avant-gardist Laszlo Moholy-Nagy goes on view at LACMA.
Diego Rivera's "Zapatista Landscape" applies Picasso’s Cubism — a revolution in seeing — to a revolutionary subject, the leader of a Mexican peasant revolt.
Jimmie Durham's sculpture retrospective at the Hammer Museum turns on questions of identity.
Emily Davis Adams' small paintings aren't as abstract as they might seem.