ARTS & ENTERTAINMENT MOVIES Movies Now

Telluride Film Festival dedicated to Roger Ebert

The Telluride Film Festival announced Thursday morning that this year's edition of the annual Colorado mountainside event will be dedicated, in part, to Roger Ebert. The celebrated movie critic and media personality was a long-time fixture at the festival and one of its most vocal champions prior to his passing in April.

“I’m deeply touched that the board of the Telluride Film Festival decided to honor Roger this way,” Ebert’s wife, Chaz, said in a statement. “Roger loved going to film festivals to find little movie gems and always had a soft spot for Telluride in particular. He admired the wide diversity of films and the fact that, in many cases, it offered attendees their only chance to see certain important retrospectives.”

An anonymous contribution was also made in Ebert's name toward the opening of the 650-seat Werner Herzog Theater at the festival. Ebert and Herzog were long-time friends and admirers of one another. In an essay in the festival's program, Herzog wrote of Ebert, “He was the last mammoth alive, the last to create excitement and intelligent discourse about movies.… His passing signifies much, much more than the passing of one wonderful man.”

WATCH: Trailers from Telluride

In addition to honoring Ebert, this year’s festival is also dedicated to three other members of the film community who died in the last year: documentarian Les Blank, philanthropist and Telluride supporter George Gund, and writer and director Donald Richie.

The 40th edition of Telluride begins Thursday, with a lineup that includes Alfonso Cuarón's "Gravity," J.C. Chandor's "All Is Lost," Jason Reitman's "Labor Day," Alexander Payne's "Nebraska," Joel and Ethan Coen's "Inside Llewyn Davis" and Jonathan Glazer's "Under the Skin."

Over the last few years, Telluride has increasingly become a bellwether of the awards season to come, hosting the first public screenings of eventual Oscar best picture winners "Argo," "The King's Speech" and "Slumdog Millionaire."

ALSO:

Telluride Film Festival lineup includes 'Gravity', 'Labor Day'

Roger Ebert's last thumbs-up: Terrence Malick's 'To The Wonder'

'To The Wonder' producers and Ben Affleck on Ebert's final review

Follow Mark Olsen on Twitter: @IndieFocus

PHOTOS AND MORE PHOTOS: Faces to watch 2014 | Movies ENVELOPE: The latest awards buzz DOCUMENTARIES: 10 best of 2013, and a new crop in 2014

Copyright © 2014, Los Angeles Times
Related Content
  • Jason Reitman's 'Labor Day' premieres at Telluride Film Festival
    Jason Reitman's 'Labor Day' premieres at Telluride Film Festival

    Writer-director Jason Reitman continues his tradition of debuting his films at the Telluride Film Festival with the screening Thursday of his latest, the drama "Labor Day," starring Kate Winslet and Josh Brolin.

  • Betsy Sharkey's best films of 2014
    Betsy Sharkey's best films of 2014

    The imprint of the auteur not only shaped the year, it very much influences each of my top 10 (or so) choices.

  • Artists and filmmakers make surprising leaps in 2014
    Artists and filmmakers make surprising leaps in 2014

    Exhibiting raw promise is one thing, but to exceed those initial flashes is something really special. Throughout this year, many filmmakers and performers were pressing on in remarkable ways, showing that even artists who have already exhibited notable skill, talent and accomplishment still...

  • Mark Olsen's best indie films of 2014
    Mark Olsen's best indie films of 2014

    Throughout the year people you thought you knew showed they were still full of surprises. In 2014, when some would see cinema as a storytelling mode and cultural force as an endangered species, these are vital signs of life. Here is Mark Olsen's top ten list of independent films:

  • Kenneth Turan's best films of 2014
    Kenneth Turan's best films of 2014

    What's the point of doing a 10 best list if you put only 10 films on it?

  • Daring films lifted the artform in 2014
    Daring films lifted the artform in 2014

    Like voices crying in the wilderness — rising above that vast wasteland of movie mediocrity — came the roar of the auteurs in 2014. A rangy group with varying aesthetics, they've left an indelible imprint on cinema despite the 400 or so of the marginal that clogged our theaters...

Comments
Loading