Listen: Bluesman CeDell Davis' 'Catfish & Cornbread'

Listen: Bluesman CeDell Davis' 'Catfish & Cornbread'
Blues musician CeDell Davis, 88, will release his new album "Last Man Standing" in February. (Judy Walgren)

Whether singer and guitarist CeDell Davis is literally the “Last Man Standing” among rural Delta blues players, as the title of his forthcoming album puts it, he belongs to an undeniably exclusive club.

At 88, Davis is about to release a collection of songs that shines a spotlight on his earthy growl of a voice, though he now leaves the guitar playing to the younger cohorts backing him on this one (specifically Squirrel Nut Zippers founder Jimbo Mathus, who also produced "Last Man Standing").

Pop & Hiss is premiering “Catfish & Cornbread,” a track from the sessions recorded by and large live in the studio with a band that also includes Zippers bassist Stu Cole, drummer Barrett Martin (of the Screaming Trees, Tuatara and other bands) and guitarists Zakk and Greg Binns.

The song, notably recorded by John Lee Hooker -- and later by Jimi Hendrix -- is given a spacious arrangement behind Davis’ growling vocal.

"While I was growing up on the plantation," Davis says of the song, "when I was just a kid, I would hear people say 'she be making cornbread for her husband, and biscuits for her man.' They'd be gossiping about a woman, saying she treated her lover better than she did her own husband, just wagging their tongues.

"Catfish was a big deal in the old days. You would go out to a house party on the plantation, and somebody always be cooking up some catfish to sell. That, and some bootleg whiskey, or some bathtub gin. I left that gin alone, had one of my cousins go blind drinking that stuff. I believe the first time I heard anyone play 'Catfish Blues' was when Elmore James came to play at my daddy's juke joint. Man, he could play some blues for sure. I really liked how Muddy Waters sang it too."

Several other songs on the album let Davis puts his gritty imprint on blues and R&B classics, including James’ “Further On Up the Road,” Big Joe Turner’s “Chicken Hawk” (written by Jerry Leiber and Mike Stoller), Waters’ “Rollin’ and Tumblin’” and a couple that Bobby Blue Bland made famous, “Turn On Your Light” and “Further On Up the Road.”

Davis, born in Helena, Ark., is a quintessential survivor, emerging damaged but unbowed from childhood bouts with yellow fever and polio that required him to relearn to play the guitar after picking up the instrument very young. Because his right hand was severely impaired from polio, he picked up a butter knife with his right hand to fret the strings while strumming and picking with his left. He claims that as a boy, he heard fabled blues musician Robert Johnson in person.

Then in 1957, while on tour as part of the band backing blues man Robert Nighthawk, he was trampled and both legs were broken, leaving him in a wheelchair ever since, but still making music.

Davis will play a handful of shows in Arkansas, Mississippi and Louisiana in February and March to support the album’s release, which is coming out on Sunyata Records, the label owned by Martin.

“Many listeners find CeDell difficult: his sense of time, his sense of structure, that timing -- not to mention his lyrics,” blues historian and producer Robert Palmer wrote several years ago. “CeDell is a remarkable communicator, and quite possible the greatest hard core vocalist around.”

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