Movie review: ‘The Sons of Tennessee Williams’

As the gay Krewe of Armeinius prepares for its 40th anniversary Mardi Gras celebration, documentarian Tim Wolff, in his uniquely engaging “The Sons of Tennessee Williams,” traces its history, making a film that, in turn, becomes a consciousness-raising revelation of the evolution of gay rights in New Orleans and by extension, the South.

Krewes are social clubs chartered to participate in Mardi Gras parades and balls, and Wolff’s “sons,” middle-aged and elderly members of the Krewe, tell harsh stories of witnessing and experiencing intense harassment directed at gays in the ‘0s and ‘50s. Their stories are backed up by examples of deeply biased newspaper reportage.

Wolff’s film details how the gay Krewes become not just a focal point for the local gay community but a political force as well. He notes how the interplay between drag and political theater reflects the unique character of the Crescent City.

That the Krewe of Armeinius has survived police raids, the ravages of AIDS and the devastation of Katrina is a source of pride for its members. But like gays everywhere, even though they marvel at the progress they have made in their lifetimes they recognize the struggle for equality is far from over. In the meantime, they attempt to attract younger members to their Krewe to carry on its fun-loving traditions.

“The Sons of Tennessee Williams.” No MPAA rating. Running time: 1 hour, 25 minutes. At Laemmle’s Sunset 5, West Hollywood.