The legendary media tycoon
But all that wasn't enough. Hearst also believed the voters had to be made to see what could be gained from a president with a free hand. So he financed the film "Gabriel Over the White House," starring Walter Huston. The film depicts an FDR look-alike president who, after a coma-inducing car accident, is transformed from a passive Warren Harding type into a hands-on dictator. The reborn commander in chief suspends the Constitution, violently wipes out corruption and revives the economy through a national socialist agenda. When
Hearst wanted to make sure the script got it right, so he sent it to what today might be called a script doctor, namely Roosevelt. FDR loved it, but he did have some changes, which Hearst eagerly accepted. A month into his first term, FDR sent Hearst a thank you note. "I want to send you this line to tell you how pleased I am with the changes you made in 'Gabriel Over the White House,'" Roosevelt wrote. "I think it is an intensely interesting picture and should do much to help."
I bring up this tale to note that Hollywood has never been opposed to propaganda. When Hollywood's self-declared auteurs and artistes denounce propaganda as the enemy of art, almost invariably what they really mean is "propaganda we don't like."
Consider the film "Lone Survivor," which tells the true story of heroic Navy SEALs in Afghanistan. The film has been denounced by some critics; a "jingoistic, pornographic work of war propaganda," in the words of one reviewer. Richard Corliss of Time chimed in: "That these events actually happened doesn't necessarily make it plausible or powerful in a movie, or keep it from seeming like convenient propaganda." Similar complaints (from non-conservatives, at least) about antiwar films made during the
When it was owned by GE — a company with billions of dollars invested in subsidy-dependent alternative energy technologies —
In the book, "Prime Time Propaganda," author Ben Shapiro quotes many TV producers boasting about blacklisting conservative actors and shilling for liberal issues. As Shapiro notes, perhaps no figure was more upfront — or successful — at yoking art to political proselytizing than
Which is fitting. Last fall, the California Endowment, which is spending millions to promote the
It's doubtful this will have any significant effect. The rollout has made its impression and the changes wrought by Obamacare in the individual lives of millions of Americans won't be erased by a very special episode of