The Moleskine notebook is a ubiquitous tool of the trade in writing and art circles. I've purchased a few dozen over the last few years. From the little tiny ones that are not much bigger than a credit card and fit in my shirt pocket; to the big ones that are about the size of an old LP cover. When my sister asked me to officiate at her wedding, I used the biggest notebook in the Moleskine family to hold the script I wrote for the ceremony.
Moleskine (it's pronounced moe-lay-SKEE-nay, or mole-skin, or mole-skeen, depending on who you ask) has brought a modicum of order to my disorderly creative life. But little did I know that with each of my purchases — and they ain't cheap, these notebooks — I was helping build a capitalist empire.
Perhaps not yet, but Moleskine seems to be trying really hard to become unhip. True, the notebooks are durable, they have the backing of the late
Still, one expects the Moleskine cult will endure for quite a while. I'm not white but I'm not surprised to find it listed on the "Stuff White People Like" website, which explains: "Much like virtually everything else that white people like, these notebooks are considerably more expensive yet provide no additional functionality over regular notebooks that cost a dollar."
A quick perusal at one Moleskine fan site, however, reveals that love of the notebooks is pretty universal. The site Moleskinerie.com currently features a video in which the Brazilan artist Maykel Nunes reveals an entire gallery of drawings tucked inside one set of Moleskine covers.
"It's nice to see a lot of people saying they bought a Moleskine notebook and started drawing after knowing my work," Nunes writes. "That is priceless."