Efraim Diveroli, the character
Hill, apart from the charm, is nothing like that. Over lunch on a rainy Thursday in New York City, at his usual table at the rustic-Italian restaurant Il Buco, the 32-year-old actor, who has memorably appeared in such films as "Superbad," "21 Jump Street," "The Wolf of Wall Street" and "Moneyball," earning Oscar nods with those last two, is polite, thoughtful and engaging. He's the kind of guy who will hold your chair and offer you the first bite of his risotto. ("Want some?" he asks, with apparent sincerity.)
Burned by the press for not being as bro-ish as some of his roles might indicate ("People want me to be a loud comedian and it's just, unfortunately, not who I am," he says, ruefully — though he claims partial responsibility for a notoriously bad 2013 Rolling Stone interview he says therapy has helped him push past), Hill, who hails from Los Angeles and lives in New York, comes off as careful, perhaps a bit chastened, yet candid and generous as he entertained questions about, among other topics, a performance critics have hailed as a standout in an otherwise dismissable film.
Todd Phillips said he had to pressure you into playing Efraim. What were your reservations?
Todd first asked me right when I finished "Wolf of Wall Street" and I was worried about exploring another young Jewish dude who was chasing American greed. Todd kept doing rewrites and was really persistent. He asked me to read it one more time. I did and found Efraim different than Donnie in "Wolf of Wall Street." Donnie is just a bro who's blissfully following Jordan Belfort, so it's very different to understand the kind of person who manipulates people with the intention of … them over.
For Efraim, part of the sexiness of the scam is burning people, and that's a scary kind of person. Donnie didn't scare me; he's just an idiot. But Efraim is brilliant. The most fascinating thing about him is the way he exploits religion. It's something that gives people such hope and safety, and when someone manipulates someone using that, that's a real dark act.
Did you feel uncomfortable playing a character who plays into Jewish stereotypes about money and greed?
It's important to call out when people hide behind religion. Wearing a chai and doing the things Efraim does – those people upset me. Being a part of a religion is not about excusing your [bad] behavior. I really lean into stuff like that. I'm not saying all Jews are like this. I'm saying, "Look at all our religions and look at the people who are exploiting them and taking advantage. Those people are ... up."
Did you see any of yourself in Efraim?
I've typically said no to that question. But Efraim is charming and that's how he gets whatever he gets in life. I think there's a part of all of us, if we're being brutally honest, that uses whatever weapon we have to get ahead, as not awesome as it is to admit.
I think there's an element of risk in this performance, and in a lot of your performances.
What really bums me out is when people in movies are scared to look not cool and you can see someone protecting that vulnerability and willingness to emotionally fall on your face. I, for better or for worse, cannot do that kind of stuff. When I was younger, I sometimes took movies people told me to take, and I can see that they're not good performances. I'm not risking anything. I don't feel that way about "War Dogs." It's not a safe choice. It's ugly in all ways — emotionally, physically, everything.
I don't like to be kind of surface. It's a waste of time. That doesn't mean you can't be funny and light. But to me the funniest stuff is super-raw and hard to say or feel.
What about Efraim's distinctive laugh?
David Packouz, who Miles Teller plays, told me if you met Efraim once, you never forgot him. I thought about people I'd met once or twice but never forgot and I realized a lot of the time it was because they had a really distinct laugh. So I was like, OK, why is he laughing, and what does it sound like? The idea behind him laughing all the time was when you're laughing with someone, you're making them feel great and encouraging what they're saying. I was like, what a cool tool to get someone to love and trust him. It's like a sound saying, "Keep going, you're great, keep going!" But it's a manipulative way to say that.
Were you worried about how the real Efraim, who ended up filing a suit against the filmmakers, would respond to your portrayal?
I would have preferred if they had changed his name. I cannot imagine having someone make a movie about me. I'd be horrified. So I completely identify with the real people I've played. I've made a joke out of it: "Who's playing me?" "Leonardo DiCaprio!" And the other guy, "Who's playing me?" "Jonah Hill." "What ...?!"
You're next acting role is playing Richard Jewell, the security guard who found pipe bombs in a backpack during the 1996 Summer Olympics in Atlanta, but you're also writing and directing your own film, "Mid 90s," which is sort of a coming-of-age movie, right?
I've been writing this movie for three years. It's about being 13. To me that was the most confusing and hard age. It takes place in the skateboarding community in the mid-90s in L.A., but it's really about finding a family outside your home. I wanted to show respect to skateboarding as a culture that's given me so much — so much creativity, so many friends, and kind of an ethos. Falling, picking yourself back up — those themes are applicable to all different parts of life.