The Envelope: Director | Cinematographer
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In the annals of true-life weird tales, few are stranger than the saga of Margaret and Walter Keane.
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For the first time in a long time, I wanted to write a story without knowing how it was going to end.
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“They’ll never let us do this.”
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In “A Most Violent Year,” Oscar Isaac plays Abel Morales, a New York heating-oil magnate who owns a lavish new home and a port-side storage facility — on paper, anyway.
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Two-time Sundance cinematography award winner Bradford Young has two high-profile year-end releases this year, putting him squarely in the Oscar season mix.
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Director Ava DuVernay is finalizing the sound mix on the last few minutes of “Selma” on the Saturday night before Thanksgiving, roughly a month before the movie’s Christmas Day opening.
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For every director, there is a key to his or her movie.
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Italian costume designer Milena Canonero is not new to filmmaker Wes Andersen’s quirky universe.
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Often a single scene in a film can sum up the whole of the story in a far more emotional way than the most eloquent dialogue.
