The last three movies produced by Mark Burg — a sequel to "Saw," the remake
But Hollywood has a habit of making strange bedfellows, and when Burg's latest project arrives in theaters on Friday, fans of the horror veteran's work may be surprised by its story: "Grace Unplugged" is a Christian drama about a church singer (AJ Michalka) whose estrangement from her evangelical father mirrors the prodigal son parable in the Gospel of Luke.
Opening on 511 screens, "Grace Unplugged" is hoping to satisfy a largely overlooked segment of the moviegoing audience — people who support family-friendly entertainment that carries a devotional message. Such films tend to trickle out every year or so, and once in a while the return on investment is staggering.
In 2011, the $2-million
Made for just $1.7 million, "Grace Unplugged" opens in Birmingham, Ala., where 18-year-old Grace Trey (Michalka) and her father, Johnny (James Denton), are playing devotional songs for a small congregation. It's clear the two are clashing over their performances, and Grace feels her inflexible and authoritative father — "I'm the one in charge of the band," he admonishes her — is crimping not only her music but also her professional ambitions.
After a fight with her father, Grace decides to leave for Hollywood, where she connects with a record producer named Frank Mostin (Kevin Pollack), who once made albums with her father, when Johnny was a hard-living rock and roller. Frank encourages Grace to dump her Christian music in favor of pop tunes, and hires a stylist to tart her up a bit. Southern California has its temptations — alcohol, single men, nightclubs — but it's not some wicked Gomorrah, as the genre typically might have it.
Before long, Grace is succeeding. But her climb up the charts carries a personal price. Is she living for God, or for herself? Can she own her faith, and thereby be reconciled with her family?
Michalka, who said she has been doing nearly as many interviews with secular news outlets as religious ones, believes that the movie — rated
"The movie really does plant its feet in both worlds," Michalka said. "For me, it's really, truly and purely a family film."
"Grace Unplugged" was directed and co-written by Brad Silverman and produced by Russ Rice, conservative Christians who met at Grace Community Church in Canyon Country several years ago and have worked on industrial and educational films. They previously collaborated on "No Greater Love," which was released by Lionsgate's home video division in 2010 without being shown in theaters.
Not long after "No Greater Love" was released, the pair pitched their "Grace Unplugged" treatment to Lionsgate's Anne Parducci, the studio's executive vice president of marketing for home entertainment. "I thought it was a very fresh concept and I loved the Christian music component," Parducci said. "I was convinced it was a marketable movie."
Burg, whose "Saw" films were released by Lionsgate, separately had connected with financiers Chris Zarpas ("The Sandlot") and Robert Norton, who were interested in trying to raise money for a slate of Christian films. Zarpas and Norton were introduced to Silverman and Rice, and they worked to develop the script, but the project eventually lost momentum.
The "Grace Unplugged" script made its way to Burg, where it sat on his bedside table for weeks. Intrigued, Burg's wife, Shainaz Donnelly, picked it up, read it and insisted her husband do the same. "It was not what I do. I come home at night and read horror scripts," Burg said.
But he read it anyway. "I loved it," said Burg, who is Jewish. He called Lionsgate and worked out a deal where he would split the film's production costs with the studio. Silverman and Rice had a green light, with Silverman directing. They said they didn't believe they were making a deal with a horror movie devil because Burg said he trusted them. "Mark just respected the fact that we knew our audience," Silverman said.
The director, who has worked as an actor and stand-up comedian, said that he never intended to make a movie that attacked the entertainment industry.
"We didn't want to demonize Hollywood and the music business," Silverman said. "From a storytelling point of view, that would have been a very shallow approach: Christian music good, popular music bad."
At the same time, the filmmakers wanted to make sure that the film's central message wasn't diluted by the studio. "We were scared to death," Silverman said. So the two negotiated for and were promised, as Rice puts it, "complete control over all of the spiritual content."
They said they didn't have to argue with Burg. "He protected our core audience as much as we did," Rice said.
Roadside Attractions, Lionsgate's partner for specialized film titles and the distributor in 2007 of the faith-based films "Bella" and "Amazing Grace," is handling the theatrical release for "Grace Unplugged." Working with several marketing outfits that specialize in reaching Christian ticket buyers, Roadside conducted more than 100 word-of-mouth screenings with church leaders, focusing on youth pastors.
The movie will be shown in theaters where "Fireproof" and "Courageous" played strongly, a heavy emphasis on screens in the South and Midwest. To broaden its appeal — and to show to wavering Christian teens that the movie is not too doctrinaire — Roadside also is advertising "Grace Unplugged" on "Glee" and "The Voice."
"It's a challenging film in that none of the movies in the genre are in the prodigal-daughter vein," said Roadside's co-president, Howard Cohen. "But while it obviously has a very strong message, we think it successfully uses entertainment to put that message across."
That's not the only marketing issue. A day before "Grace Unplugged" opens,
Burg laughs about how "Grace Unplugged" differs from his "Saw" films, whose harshest critics equate them with "torture porn."
"Are you telling me there is nothing socially redeeming about 'Saw'?" Burg said. He is busy at work developing another Christian-themed project with Silverman and Rice.
"I'm as proud of this movie as any movie I've made," said Burg, who has four children whose ages range from a newborn to 15. "But it is special to me, because my kids can see it."