It took 30 years for "Mad Max" to return, but now that he's coming back, he's doing it in style.
Miller’s new film — he has directed all four “Mad Max” movies — revisits the post-apocalyptic world that began with a 1979 cult classic and blossomed into a global franchise. This time around,
The Cannes premiere will bring to a high-profile end a long journey for Miller and studio Warner Bros. that began with several development attempts in the 2000s, the eventual casting of Hardy in lieu of
In addition to what it means for both Hardy's career and Warner's summer box office, the new movie will offer a rare chance for fans to gauge a genre's sustainability and under a bright Cannes glare. Miller's first three films helped set the tone for a modern mode of filmmaking, both influencing how action movies are shot and cut while also providing a template for a now-common post-apocalyptic genre. "Fury Road" will yield a glimpse into how that same director takes on that story in a very different cinematic world.
Miller had shown brief footage at the recent
"I have to say I felt a lot of emotions, memories," he said at the presentation, which also included a full screening of the second "Max" film, "Mad Max 2: The Road Warrior." "And then comparing it in my head, kind of twisted in knots comparing it to what we've just done on 'Fury Road' and seeing that it's so similar and so different at the same time. You're watching a very kind of bewildered man right now."
"Fury Road's" Cannes appearance marks the latest signpost for an odyssey that began with the 1979 "Mad Max" film, an independent Australian production so marginal to the world film scene that it famously had its dialogue redubbed for a U.S. audience. The new movie also carries high hopes for WB, which is looking for franchises outside its DC Comics line and hopes this can kick off a new line of tent poles. Though the world's preeminent venue for auteurs and prestige cinema, Cannes also will lean in a more commercial direction at times, offering a showcase to, and helping studios launch the campaign for, movies such as "Kung Fu Panda 2" and "Indiana Jones and the Kingdom of the Crystal Skull."
Still, the Cannes slot also underscores that "Fury Road," despite some superficial similarities to Hollywood's spate of cash-grab reboots, also comes with some tonier ambitions, not least because Miller himself stewarded the project after many years of false starts.