“Random Acts of Flyness” on HBO: Created by artist and filmmaker Terence Nance (best known for the revered 2012 feature “An Oversimplification of Her Beauty”), this newcomer is billed as a sketch comedy series, but its methods and material stretch well beyond that format’s usual reach. Functioning at times like a surrealist sequel to MTV2’s weirdo comedy series “Wonder Showzen” from the mid-’00s, “Flyness” artfully addresses various realities of the experience of being black in America and, like all the best comedy, walks fearlessly with a sense of real tragedy with bits like an imaginary children’s show called “Everybody Dies” and Jon Hamm’s “White Thoughts.” (Warning: The video below includes foul language.)
Nate Chinen’s “Playing Changes”: If you’ve been paying attention to jazz of late — or, from time to time, this column — you might get the impression we’re in the midst of a fertile, boundary-pushing time in the music. That fact gets a thorough and thoughtful examination with this book by NPR contributor and jazz critic Nate Chinen, who looks at the work of a generation of artists that includes Kamasi Washington, Cécile McLorin Salvant and Jason Moran and finds a level of imagination and expression that has stretched the genre beyond the “jazz wars” of years ago into an ever-expanding sound of endless possibility.
The Oscars’ pandering: In a move that — like some of its previous broadcasts — must find its biggest fans inside the Academy of Motion Picture Arts and Sciences offices, the Oscars elected to address its declining ratings by, among other things, introducing a category that’s called, more than a bit condescendingly, “outstanding achievement in popular film.” You know, all those movies that drag people away from Netflix to the multiplex. The change begs the question of why the academy feels its show needed a glorified participation trophy, to say nothing of how to characterize the rest of the nominees. Should we assume they’re “unpopular”?