This weekend may be the last chance to see one of the best-reviewed films of the new year, French director Arnaud Desplechin's Cannes sensation "My Golden Days," remarkable for its intoxicatingly realistic portrayal of the intense emotionality, the intertwined joy and pain, of first love.
"My Golden Days" is essentially an omnibus film featuring a trio of stories all dealing with the early days of Desplechin's alter ego, Paul Dédalus. The best one, created with tangible warmth and emotional precision, is about Paul's relationship with a woman named Esther.
Youthful actors Lou Roy-Lecollinet and Quentin Dolmaire are so effective in their roles that we feel we are watching them live out a lifetime's worth of emotions right in front of our eyes. It's as intoxicating as it sounds. Playing at the Laemmle Monica Film Center, Santa Monica; Laemmle Noho 7, North Hollywood; and Laemmle Playhouse 7, Pasadena.
Movie recommendations from Turan and other reviewers.
Impeccably directed by
This Oscar-nominated Colombia film is a strikingly photographed black-and-white epic that intertwines a passionate attack on the depredations of invasive capitalism with a potent adventure story. (Kenneth Turan) NR.
Artfully claustrophobic and anchored by a commanding breakout performance from its 64-year-old female lead, Krisha Fairchild (the director's aunt), this astonishing debut feature from Trey Edward Shults offers a simultaneously dread-filled and empathetic picture of a damaged soul. (Robert Abele) R.
A Michael Shannon-starring drama that announces the arrival of Jeff Nichols as a filmmaker in total control of his technique as well as our emotions. A bravura science fiction thriller that explores emotional areas like parenthood and the nature of belief, it's a riveting genre exercise as well as something more. (Kenneth Turan) PG-13.
My Golden Days
Arnaud Desplechin's Cannes sensation contains an intoxicatingly realistic portrayal of the intense emotionality, the intertwined joy and pain, of first love. (Kenneth Turan) R.
The saga of how the Boston Globe won a Pulitzer Prize in 2003 for uncovering sexual abuse by Catholic priests, the film is mightily impressive not only because of the importance of the story it tells but also because of how much effort and skill went into bringing it to the screen. (Kenneth Turan) R.
Robert Eggers' impressive debut feature sows suspicion into nearly every frame, so intent on a darkening mood that the stillness of trees at the edge of a wood, or a child's face in demonic thrall, even an ambling goat, carries the same capacity to unnerve. (Robert Abele, Feb. 19) (1:30) R.