FashionAll The Rage

Nail art goes from niche to mainstream

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Whether it's tiny Union Jacks, tuxedos, stripes, crystal flowers or caviar pearls, nail art has gone mainstream.

No longer relegated to the subculture sidelines or the subject of mockery, nail art has become an everyday indulgence, and not just for flamboyant pop stars like Nicki Minaj and Lady Gaga. It's been sported by Britain's Princess Eugenie, worn to the White House Correspondents' Assn. Dinner and shown up at the Golden Globe Awards.


FOR THE RECORD:
Nail art: A July 15 article erred in capitalizing the "z" in the book title "Nailed: The History of Nail Culture and Dzine," by artist Dzine, whose name was spelled correctly elsewhere in the story. —


"Nail art has been around for years, but in kitschy ways, like a Santa Claus or a Christmas tree on your pinky nail," says Suzi Weiss-Fischmann, creative director of OPI. "But in the last five years, the emphasis on nail design has been huge.... Nails are an accessory."

Nail art is part of a larger trend of individualized self-expression that includes tattooing, body piercing and wild, temporary hair color — all of which is being driven in no small part by our cultural compulsion to share-and-compare on YouTube, blogs and social media.

Welcome to the era of what might be called Kustom Beauty, doing for the individual what the Southern California Kustom Kulture movement did for jazzy hot rods.

"Nail art has almost crept into the mainstream a couple of times," says Linda Wells, editor in chief of Allure magazine. "The closest call came when hip-hop artists Mary J. Bligeand Missy Elliott were doing nail art with crazy designs like dollar bills and designer logos in the late 1990s and early 2000s. But then it disappeared."

Now it's not only back, it's booming. As of June 10, consumer spending on nail products and accessories at the mass-market level had increased 23% over the previous year to more than $1 billion, according to Symphony IRI Group, a Chicago-based market research firm. And the number of nail salons nationwide doubled between 1997 and 2007.

The boom is due in part to nail technology advances. "People can do this at home," Wells says. "It doesn't require going to the salon for four hours. Maybe you can't do Katy Perry's 3-D flowers at home, but you can do other things. Sally Hanson has stick-ons that look good because they are not stickers, they are made of nail lacquer, and they are flexible."

OPI recently released its first nail decals. Called OPI Pure Lacquer Nail Apps, they come in 14 designs, including rattlesnake, lace and fishnet prints, for $11.95 per package. Each kit contains 16 pre-cut appliques, which require only trimming once they are stuck on the nails.

Gel-color manicures, which are baked on using UV light and last two to three times longer than a regular manicure, allow for long-lasting decoration, including gradiated glitter and stripes, as well as crystal and charm appliques.

The fashion world has embraced — and stoked — the nail art trend. Polish and cosmetics brands partner with fashion designers to create new colors and patterns that are presented during the fashion labels' runway shows in global style capitals such as Milan, Italy; Paris; and New York. At New York Fashion Week in February, for instance, MAC cosmetics created custom velvet-flocked nail tips for the Ruffian presentation. For the Kate Spade show, nail pro Deborah Lippmann designed polka dot nail art. And, front-row regular, blogger and model Alexa Chung wowed the fashion crowd with the Egyptian-style hieroglyphic eyeballs painted on her nails. YouTube how-to videos instantly sprang up teaching people how to get the look.

"Years ago, you never used to see nail polish on the runways," Weiss-Fischmann says. "And now, designers like Marc Jacobs and Jason Wu want nail designs to match certain looks, like painting the nail moon a different color or stripes, two toning or gradation."

Celebrities have also been influential in popularizing nail art. Peacockish pop singers like Minaj and Lady Gaga seem to be out to see who can sport the most outrageous manicures. For the "Born This Way" video, Japanese-born, New York-based nail artist Aya Fukuda filed Gaga's talons to sharp points, polished them blood red and decorated them with Gothic-looking jet black Swarovski crystals and silver hardware.

But the trend isn't just for teen fangirls. "I'm surprised at how women in their 30s and 40s are doing this," Wells says. "It's a playful thing and the beauty of it is that it can be taken off tomorrow. It's something you really can do for an evening."

A lot of the recent creative inspiration has come from Japan, where there are numerous nail art magazines and competitions.

"It's 3-D things and bar codes, gold glitter on the tips, nothing is off-limits," says Wells, who has yet to jump on the nail art bandwagon, being a pale pink Essie Mademoiselle woman herself. "The fascination with highly decorative things, with miniaturization of detail — that has finally come here."

The Tokyo-based Mars salon recently opened its first U.S. location on Melrose Avenue in West Hollywood, offering high-end gel manicures starting at $80, along with custom nail art in a luxury setting. Each customer has a private room, with a television, where two technicians work at one time. It's not uncommon for clients to come in with clothing they want their nails to match. One woman brought in a picture of a beaded Diane von Furstenberg top. The technicians were able to mimic the color and 3-D nature of the floral beading in the nail design. "Later, Diane [von Furstenberg] tweeted about it," says Hiroko Fujikawa, the owner of Mars.

Chicago-based artist Dzine was so inspired by the creativity that goes into nail art designs and the sense of community at salons that he wrote "Nailed: The History of Nail Culture and Dzine," published last year by Standard Press/Damiani. The book covers the history of nail adornment all the way back to the Ming dynasty and features commissioned photography of extraordinary contemporary nail art from around the world. A selection of photographs from Dzine's book is scheduled to be on view beginning in September at Subliminal Projects gallery in L.A.

One of the designs in the book features miniature sculpted camping paraphernalia (a tent, a bonfire) on each nail, another 3-D flowers "growing" out of the nails like vines.

"I didn't want to have celebs in the book, and I didn't want it to be the Guinness Book of World Records either," he says. "I wanted to stay true to the young nail techs and creative artists."

One of these new creative artists is Oakland-based Liz Baca, a freelance stylist and vintage clothing dealer who never had any professional beauty training but was inspired by her love of fashion to create custom nail art designs to match designer accessories, such as Chanel sneakers and Tiffany & Co's blue boxes. Some of Baca's nail art creations can be seen online at http://www.missomnimedia.com/photo-shoots.

Nails "are like tiny canvases," Baca says. "And it's really trial and error about what adhesive will work with what I'm trying to glue on my nail. I went as far as putting real food on nails for one of our shoots. One of the nails had crumbled-up potato chips with French onion dip at the tips."

The fascination with nail decoration to this degree will probably never wane among artists and craftsy folks such as Baca. The real question is whether nail art will continue to ride the wave of mainstream popularity or fall under the changing tides of fashion.

"I don't see it ending right away," says Wells, likening the nail art trend to the now near-decade-long cultural obsession with decorative shoes by the likes of Christian Louboutin.

It's true that nail art, like shoes, provides an easy way to spice up even the most basic of outfits. And, like shoes, nail decoration can fit and flatter, no matter your dress size.

"It's on an appendage. It's fun and experimental in a way people are not willing to do with their hair or facial makeup, which is too close to their identity," Wells says. "The farther you get from the face, the more experimental you are willing to be."

booth.moore@latimes.com

Copyright © 2014, Los Angeles Times
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