Audio Trip Down Memory Lane

Audio

Walt Disney Records takes a nostalgic trip back in time with five new releases launching its “Disney’s Archive Collection.” These are re-releases--digitally restored and available on CD for the first time--of Disneyland and Buena Vista records that were first issued more than 30 years ago. Selections range from curiosities and fun stuff to found gold for all ages, but especially for grown-up kids--parents and grandparents.

Unless otherwise specified, the releases are slated to be widely available on CD only. Prices vary according to the retail outlet. All are available at the company’s Web site: https://www.disney.com/DisneyRecords.

“Burl Ives: Chim Chim Cher-ee and Other Children’s Choices.” Ives, respected as an actor (he won a 1958 Oscar for “The Big Country”), was beloved the world over as one of the giants of folk music. This collection of songs, chosen by him, is a reminder why. His mellow voice playfully captures the imagination and gently stirs emotions. Memorable moments: the title tune, the touching ballad “Lavender Blue, Dilly, Dilly” and a lively Old English folk tune, “Ilkey Moor Bar’Tat.” Ives’ rendition of “Let’s Go Fly a Kite,” another Sherman Brothers “Mary Poppins” winner, is sheer exuberance.

“Louis Prima With Gia Maione: Let’s Fly With Mary Poppins.” Las Vegas swing king and trumpeter Prima’s unmistakable stylings enliven this offbeat Sherman Brothers collection. It was this version of “Chim Chim Cher-ee” that is said to have served as Prima’s audition tape for Disney’s 1967 film “The Jungle Book,” leading to the singer’s memorable casting as the voice of King Louie the ape. His unique version of the tender lullaby “Stay Awake” will probably make most sleepyheads do just that and his “I Love to Laugh” is a sketch; his musical mirth almost chokes him. Prima’s wife Gia Maione’s smooth stylings complement Prima’s irresistible rasp.

“Let’s Get Together With Hayley Mills.” Strictly for Mills fans and nostalgia buffs: The teenage Mills, a charmer on film, sang with much more gusto than skill. This album--a very mixed bag of oldies (“Jeepers Creepers,” “Side by Side”), tracks from Mills’ “Pollyanna” days and more Sherman Brothers songs written just for her--took advantage of the fact that the title song, from Mills’ film “The Parent Trap,” was a big 1961 pop hit. A sampling of lyrics from “Little Boy,” one of several original songs here: “I am just a little girl, but now I know I’m old enough . . . to want a little boy-oy.” Ouch.