Blues guitarist B.B. King dies at 89
B.B. King performs at the Rhythm Cafe in Santa Ana in 1993.(Glenn Koenig / Los Angeles Times)
B.B. King performs in 1988 at Micheael Zanetis’ Michaels’ Supper Club in Dan Point.(Scott Lituchy / Los Angeles Times)
In 1989, B.B King puts his hands in wet cement to be the newest member of the Rock Walk on Sunset Blvd.(Brian Gadbery / Los Angeles Times)
B.B. King performs in 1993 at the Pacific Amphitheatre in Costa Mesa.(Christine Cotter / Los Angeles Times)
B.B. King performs April 12, 2013, during the Crossroads Guitar Festival at Madison Square Garden.(Larry Busacca / Getty Images)
B.B. King performs Dec. 3, 2008, during the Grammy nominations concert at the Nokia Theatre at LA Live.(Kevin Winter / Getty Images)
B.B. King performs in 2010 at his B.B. King’s Blues Club at the Mirage Hotel & Casino in Las Vegas.(Ethan Miller / Getty Images)
B.B. King poses after the 2001 Grammys with his two awards, for best traditional blues album and best pop collaboration with vocals.(Mark J. Terrill / Associated Press)
Bono pays his respects to honoree B.B. King at 1998’s Thelonious Monk Instutute of Jazz gala performance in Hollywood.(Lawrence K. Ho / Los Angeles Times)
B.B. King, the singer and guitarist who put the blues in a three-piece suit and took the musical genre from the barrooms and back porches of the Mississippi Delta to Carnegie Hall and the world’s toniest concert stages with a signature style emulated by generations of blues and rock musicians, has died. He was 89.
The 15-time Grammy Award winner died in Las Vegas, his attorney said. He had struggled in recent years with diabetes.
Early on, King transcended his musical shortcomings — an inability to play guitar leads while he sang and a failure to master the use of a bottleneck or slide favored by many of his guitar-playing peers — and created a unique style that made him one of the most respected and influential blues musicians ever.
“B.B. King taps into something universal,” Eric Clapton told The Times in 2005. “He can’t be confined to any one genre. That’s why I’ve called him a ‘global musician.’”
King spent decades honing the craft that helped him escape the poverty of the Deep South, where he grew up on a Mississippi plantation as the son of a sharecropper who became a teenage sharecropper himself before singing and playing his way out of the cotton fields.
He was an indefatigable performer who seldom left the concert trail for more than a few days at a time. In 1956 he played 342 shows and even in his later years kept a schedule that would test the endurance of musicians half his age.
He tapped his music and oversized personality in transcending the limitations of a genre that rein in most blues musicians, forging an international identity as a beloved cultural ambassador. King collaborated with hundreds of musicians in most fields of pop music, culminating with his 1989 teaming with U2 on the Irish rock quartet’s single “When Love Comes to Town,” which brought him to the attention of millions of young rock fans when he was in his mid-60s.
Decades earlier, when black audiences largely moved away from listening to the blues in favor of R&B and soul performers such as James Brown and Ray Charles, King’s flagging career was resuscitated when the Rolling Stones, the Animals, Clapton, Van Morrison and other white rockers of the British Invasion started singing the praises of King and other American blues musicians to their young fans.
That put King in front of an entirely new audience, and after he put out his version of the Lowell Fulson song “The Thrill Is Gone” in 1969, King went to the upper reaches of the national sales charts and in 1971 collected the first of a string of Grammy awards.
He recorded more than 50 albums — King said he lost count long ago — and was inducted into the Rock and Roll Hall of Fame in 1987. He collected a lifetime achievement award from the National Academy of Recording Arts and Sciences in 1988, the Presidential Medal of Freedom in 1990 and a National Heritage Fellowship from the National Endowment for the Arts in 1991.
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